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Alex Sipiagin
Alex Sipiagin was born on June 11, 1967 in Yaroslavl, Russia, a provincial city 150 miles from Moscow known for being home to one of Russia’s most famous opera singers, Leonid Sobinov, also Alex’s great-grand uncle. At 12 years of age, he began playing in a children's orchestra, studying under the great symphonic trumpeter and teacher, Mikhael Tsamaiev, his first inspiration. It was shortly after entering a local musical college at age 15 that Sipiagin was introduced to and inspired by what few and rare taped recordings were available in Russia of bebop and other jazz music. He knew he had to go to Moscow for a chance to learn more, and at 16 auditioned for the Moscow Music Institute, where he beat out 50 other students to get in. There he combined his classical studies with explorations into jazz. At 19 and after receiving his Baccalaureate, Sipiagin served the mandatory 2 years in the Russian army and then, upon release, continued his classical training and music studies at the Gnessin Conservatory in Moscow, earning tuition on pop gigs and recording sessions.
In 1990, Alex won first place in a Russian young jazz players’ competition in Rostov City. That same year, with "Glasnost" in fully sway, he visited the United States for the first time, performing with a Russian student jazz band, Green Wave, when they were asked to headline the Corpus Christi Jazz Festival in Texas. He caught the attention and ears of many, and was invited to participate in the International Louis Armstrong Competition sponsored by the Thelonius Monk Institute in Washington D.C. Other trumpeters competing were those who would later become today's prominent players such as Ryan Kaiser, Scott Wendtholt, Nicolas Payton, and others. Alex placed 4th in the competition, and was presented a Bach trumpet by the legendary Clark Terry, the trumpet which he still plays to this day.
Following a challenging year, in 1991 Alex decided to pursue jazz to the next level and moved to New York City. He sat in on jam sessions until he snagged his first jazz gig in 1992, playing every Monday night at Sweet Basil with the Gil Evans Band directed by Miles Evans. Then in 1993 he became a member of Gil Goldstein’s Zebra Coast Orchestra, which replaced the Gil Evan’s Band slot on Monday nights at Sweet Basil. In 1994, Sipiagin became a regular member of the George Gruntz Concert Jazz Band while performing also with drummer Bob Moses’ band, Mozamba. Trumpeters Earl Gardner and Randy Brecker introduced Sipiagin to become a member of the Mingus Big Band in 1995, of which he is still a regular member, as well as the Mingus Dynasty and Mingus Orchestra. Since 2000, Dave Holland invited him to be a regular member of his big band and currently with his various small groups, and in 2003 he recorded with Michael Brecker’s Quindectet, which he has heavily toured with alongside Michael Brecker’s Sixtet. Many of the recordings he has been involved in has won Grammy's. He has also performed with Eric Clapton, Dr. John, Aaron Neville and Elvis Costello, Michael Franks, Dave Sanborn, etc.
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Misha Tsiganov: Painter Of Dreams
by Edward Blanco
A mainstay musician in the vibrant and exciting jazz scene of New York City, Russian-born pianist Misha Tsiganov presents his fifth Criss Cross album, Painter of Dreams, which features six original compositions and two familiar reimagined standards, with every piece but one running from between eight to eleven-minutes in length. The pianist expands his musical boundaries, implements new elements, augments the horn section and, with regard to his own playing, states that he was moved to include an entirely acoustic ...
Continue ReadingMisha Tsiganov: Painter Of Dreams
by Neil Duggan
Like a fine wine, Russian-born and New York-based pianist Misha Tsiganov, seems to improve with age. His music continues to evolve and his creativity hits a high spot with Painter Of Dreams. He has appeared on countless albums over the years and has played with such musicians as Wynton Marsalis, Bobby Watson and Michael Brecker. His ability to shift tempos and mix meters in his compositions has always been notable. Recent work with the Romanian Radio Big Band has also ...
Continue ReadingAlex Sipiagin: Horizons
by Nicholas F. Mondello
Trumpeter Alex Sipiagin has always been a deeply devoted musical explorer. From early bop origins to more modern forays, he has ventured far and wide, developing both improvisationally and compositionally. With Horizons this fine artist continues his path, delivering--along with frequent sidekick Chris Potter and a superior rhythm section--yet another breakthrough album. It is possibly Sipiagin's most explorative and best ever. While You Weren't Looking," one of two selections gifted to the album by Pat Metheny, launches ...
Continue ReadingSean Hong Wei & Jeremy Monteiro: The New Jersey Sessions
by Pierre Giroux
The New Jersey Sessions is a testament to the vitality of jazz brought to life by pianist Jeremy Monteiro and tenor saxophonist Sean Hong Wei, with the iconic Houston Person adding his legendary sound to a couple of notable tracks. The album serves up a rich tapestry of eight jazz standards (and one original from Monteiro) which provide a road map to blending traditional jazz elements with a modern sensibility by an ensemble which includes trumpeter Alex Sipiagin, bassist Jay ...
Continue ReadingBill Bruford: The Summerfold Collection 1987-2008
by John Kelman
Intrepid percussionist/composer/bandleader Bill Bruford began his career in the late '60s art-rock arena with Yes and, later, King Crimson, but jazz has always moved underneath, like an eddying current. His early recordings, well documented on the companion Winterfold Collection, may not speak the language of jazz, but they possess its spirit. By 1986, Bruford was looking for a new path. Crimson had again dissolved, the 1981-'84 incarnation having provided him with the opportunity to explore nascent electronic drum ...
Continue ReadingOpus 5: Introducing Opus 5
by Josef Woodard
The Evident Charms and Secret Powers of Five For all the myriad varieties and contextual possibilities under the rubric of what makes for a valid jazz group, there is something distinctively powerful and tradition-enriched about the number five. Smaller groups tighten up the focus on individual voices involved, and often frame a specified protagonist leader, while larger groupings accentuate the greater good of the team. By contrast, the quintet format, especially in the conventional format of trumpet and tenor sax ...
Continue ReadingMichael Dease: Best Next Thing
by Kyle Simpler
Like many other talented musicians, Michael Dease always looks for ways to take his music to the next level. He is continually exploring and looking ahead rather than simply resting on his laurels. Because of this passion and determination, he has earned a reputation as a top session player and as a band leader in his own right. Best Next Thing is Dease's ninth album for Posi-Tone Records, and it is an impressive addition to his discography. With ...
Continue ReadingThailand International Jazz Conference 2019: World-Class Jazz Artists Join The Stage Of The TIJC!
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Thailand International Jazz Conference
The College of Music, Mahidol University, host of the event, brings together the selection of the world-class jazz artists from America and Europe, the region recognized as producing the world's best jazz artists of today. Together with the renowned Thai artists that will give you the ultimate joy in TIJC 2019, the 11th Thailand International Jazz Conference under the theme Chill out Around Jazz", which will be held on 25-27 January 2019. Dr Narong Prangcharoen, Dean of the College of ...
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East End Arts Presents Alex Sipiagin Quintet in Concert: Saturday, August 4 at Full Moon Arts Center, East Moriches, NY
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Two for the Show Media
East End Arts is thrilled to present the Alex Sipiagin Quintet in concert on Saturday, August 4, 2012, in collaboration with Full Moon Arts Center. The intimately-set performance will take place at Full Moon Arts Center in East Moriches, with a special opportunity to meet the artists prior to the concert during a private cocktail party with Alex and the quintet, and a special performance and gift; starting at 6 PM, the VIP entry ticket is $125 per person. General ...
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Trumpeter/Composer Alex Sipiagin Releases New CD on Criss Cross Jazz Titled "Destinations Unknown"
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Two for the Show Media
Alex Sipiagin's inspired ensemble writing on the seven tracks that comprise Destinations Unknown makes it clear that the 43-year-old trumpet master had ample time to infuse the process with tender loving care. Sipiagin recounts that Gerry Teekens notified him of the January 2011 recording date the previous July. First, he reached out to first-callers Chris Potter, David Binney, Craig Taborn, Boris Kozlov, and Eric Harland. He commenced to write sketches on sojourns to Spain, France, Italy, Taiwan, Japan, and Holland. ...
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Trumpeter Alex Sipiagin Interviewed at AAJ
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All About Jazz
The 1980s in the Soviet Union was a time when the role and rule of the Communist Party were being questioned and unmasked by the policy of glasnost"--less censorship and greater freedom of information--that was emerging. Some jazz was played in the U.S.S.R. since before World War II. Even during the height of the Cold War, in 1962, Benny Goodman performed in Moscow (a concert attended by Soviet leader Nikita Khrushchev). But glasnost did not take hold until roughly the ...
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Bendy-Pastorius Group (Mon) David Kikoski (Tue) Titus Ribas (Wed) Alex Sipiagin (Thu) Manuel Valera (Fri-Sat) This Week at Cachaca
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Jim Eigo, Jazz Promo Services
Cachaa 35 West 8th St (bet. 5th & 6th Aves.) NYC * tel 212-388-9099 sets at 9,11 & 1am * $10 cover, $15 min. Menus from selected restaurants available New York City's Newest Jazz Hang In The Heart of Greenwich Village This Week At Cachaca Mon. 13 Bendy-Pastorius Group Featuring Julius and Felix Pastorius and the two Bendy brothers Julius on drums, ...
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"Sipiagin blows modern and lyrical..." John Fordhan, Jazz Times
"(Sipiagin's) tone is taut and resonant, crisply defining the lead lines and smoothly converting them into long, free-flowing channels of melody...While he still clearly remains within the post-bop paradigm, Sipiagin is too good a leader and improviser to let that constrain the texturing and the jamming..." Michael Pronko, Japan Times
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From: Alex Sipiagin: Live at SmallsBy Alex Sipiagin