Andrea Brachfeld

Played (the) “Lotus Blossom” track last night on Jazz After Dark. Very, very nice track. You sound great!!! And, I must add that Lotus Blossom is the best jazz CD that you have released to date. Your flute vocabulary is purely Andrea Brachfeld at its finest!!! Arthur Barron Jazz After Dark 88.9 WDNA Public Radio Miami, Florida

Rick’s Pick Andrea Brachfeld is a flutist equally comfortable playing Latin jazz or straight- ahead swing/bop/postbop styles; her tone is consistently warm and woody, her phrasing lithe, her time impeccable. And she possesses that essential but rare trait: the ability to express herself deeply without taxing the patience of the listener. Listen, for example, to the way she jumps from the decorous abstractions of “A Flower Is a Lovesome Thing” to the skipping boppishness of “If I Love Again,” and note how her solos in both cases pay deep respect to the tunes while never letting us forget who she is. The whole album is like that, and there’s something here for just about every jazz fan. Rick Anderson November 2, 2015 www.cdhotlist.com

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Played (the) “Lotus Blossom” track last night on Jazz After Dark. Very, very nice track. You sound great!!! And, I must add that Lotus Blossom is the best jazz CD that you have released to date. Your flute vocabulary is purely Andrea Brachfeld at its finest!!! Arthur Barron Jazz After Dark 88.9 WDNA Public Radio Miami, Florida

Rick’s Pick Andrea Brachfeld is a flutist equally comfortable playing Latin jazz or straight- ahead swing/bop/postbop styles; her tone is consistently warm and woody, her phrasing lithe, her time impeccable. And she possesses that essential but rare trait: the ability to express herself deeply without taxing the patience of the listener. Listen, for example, to the way she jumps from the decorous abstractions of “A Flower Is a Lovesome Thing” to the skipping boppishness of “If I Love Again,” and note how her solos in both cases pay deep respect to the tunes while never letting us forget who she is. The whole album is like that, and there’s something here for just about every jazz fan. Rick Anderson November 2, 2015 www.cdhotlist.com

“Andrea Brachfield is a revelation! She is excellent and has actually the “Chops” to play credible jazz flute! This would have been possible by her great backing trio of Billy O’Connell, Winard Harper, and Rufus Reid. Will use her music for months to come.” – Peter Kuller, Jazz Presenter Radio Adelaide, JPL “Jazz from Down Under”

A conversation with Jersey City flute player Andrea Brachfeld about her music can quickly head down some unexpected and revelatory paths, filled with expressions such as "vibrational universe," "chakras," and "evolution of the soul." But don't let the New Age-y vernacular cloud your senses. Brachfeld is at the top of her game. She's an in-demand jazz musician who tore up the Charanga music scene for years… …Brachfeld this month released her sixth CD, "Lotus Blossom," an improvisational jazz tour de force… …For now, nothing seems to be blocking Brachfeld's path to success. After a lifetime of study, practice, and self-discovery, she is playing the music she wants to play with the musicians she wants to play with. "It's a search for universal sound, a vibration that everybody will feel," Brachfeld said of her goal as a musician. "Ultimately, it's more about being much more introspective and getting as deep as possible to the truth in yourself." The Jersey Journal www.NJ.com October 27, 2015 Ken Thorbourne

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Primary Instrument

Flute

Willing to teach

Advanced only

Credentials/Background

Certifications in Music K-12, Elementary K-8
Graduated Manhattan School of Music 1978
Masters in Education from Rutgers University 1985

Clinic/Workshop Information

The History of the Flute in Jazz This workshop will focus on how the flute has been integrated into mainstream jazz since the early 1900’s. A historical and musical timeline including DVD’s and excerpts from recordings will also be included.The flute has traditionally been associated with players who double on saxophones and other woodwind instruments .This workshop will present a positive viewpoint on how flutists have evolved to have a significant and unique voice in jazz as a solo instrument focusing on the individual’s voice as an artist. The Role of the Flute in Cuban Music: 1900s to the present This multimedia presentation will present pertinent historical facts of Cuba as it relates to the integration of the flute into popular Cuban music

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Primary Instrument

Flute

Willing to teach

Advanced only

Credentials/Background

Certifications in Music K-12, Elementary K-8
Graduated Manhattan School of Music 1978
Masters in Education from Rutgers University 1985

Clinic/Workshop Information

The History of the Flute in Jazz This workshop will focus on how the flute has been integrated into mainstream jazz since the early 1900’s. A historical and musical timeline including DVD’s and excerpts from recordings will also be included.The flute has traditionally been associated with players who double on saxophones and other woodwind instruments .This workshop will present a positive viewpoint on how flutists have evolved to have a significant and unique voice in jazz as a solo instrument focusing on the individual’s voice as an artist. The Role of the Flute in Cuban Music: 1900s to the present This multimedia presentation will present pertinent historical facts of Cuba as it relates to the integration of the flute into popular Cuban music. You will hear the first recording made by Thomas Edison in 1902 followed by important clips of recordings and videos which will show a clear timeline of the development of the different styles of Cuban music where the flute was featured. Dance steps will also be included as this music has always been intended for dancers. Learning Jazz Improvisation: A Systematic Guaranteed Approach This approach provides a clear and concise step by step method of how to play jazz. Some of the major components include learning about key historical events which influenced the cultural development of jazz and the most important people who contributed to the innovations of the music, jazz ear training, applicable and functional theory to learn how to improvise, and a three tier system of conscious, sub conscious and the super conscious methodology of learning. This approach will enable the learner to use any previously learned music and show how to directly connect it and apply it to the process of improvisation. Curing Focal Dystonia: A Personal Success Story In this presentation I will share my personal success story of how I cured myself of Focal Dystonia in my hands. Focal Dystonia is an extremely debilitating dysfunction which has been occurring more and more in professional musicians’ lives.I will also discuss the different strategies I used for healing and questions we must all address in order to prevent this dysfunction as well as any other musicians’ injuries that are quickly becoming commonplace in the field. Please read this published article of a personal story of how I healed myself of Focal Dystonia. Vacation Meditation This experiential workshop is designed to promote inner peace and happiness through a combination of music, storytelling and meditation. Included in each session are deep breathing exercises and gentle asana postures, followed by meditative flute music and a brief period of silence. The workshop concludes with an improvisational flute performance. For more details please visit vacationmeditation.com. Healing Hands with Love This is an offering to those in need of healing. Please contact me privately so that we may discuss your concerns.

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