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Azar Lawrence
Azar Lawrence led a very musical childhood and began playing drums at the age of five and moved onto violin and piano under the direction of his mother Ima Lawrence. Ima, a gifted musician and teacher from whom Azar received his acute flair for all things music has shaped many successful musicians.
Azar began playing with the USC JR Orchestra at the age of five. He played violin until the age of 8. He performed vocals accompanied by his mother during elementary school where she taught sixth grade and music
At age eleven he began hearing a different musical voice. He was an accomplished pianist, violinist and vocalist in his own right at the time.
He thought it was time to learn viola. But something happened. Lonnie a long time friend of Mr. Lawrence, and of the family, who often brought his flute when he visited, came by for a swim, and brought his alto sax. Azar was not poolside but he had to see who was playing that cool sound. His father his biggest supporter and fan who had bought all of Azar’s instruments purchased him an alto sax, and Azar began taking instruction from Mr. Schumaker once a week. In high school Azar played with the Dorsey High Jazz Band, and played a jazz workshop with Herbert Baker, “one of the greatest pianist that ever lived and I feel blessed to have been in his presence.”
Azar played everyday with Herbert Baker until a tragic car accident took his teacher and mentor’s life, Azar’s senior year in high school. “That event made me reach deeper and I knew I had to carry on what I had learned.”
Drummer, Reggie Golson, introduced Azar to “the music”, and that’s when he began to get into the creation. Nightly he went to Reggie’s house. Reggie had a room full of records, and he would play them all, over time. Coltrane, Miles, Monk, Shorter. “Reggie prepared me. “
After high school at the age of 19, Azar played with Candy Finch, Larry Gales, and Woody Shaw at a regular gig at a club on 54th St. in Los Angeles.
Soon he would perform with Ike & Tina Turner, Watts 103rd St. band, and War. He then joined Elvin Jones for two years and after leaving Elvin, he joined McCoy Tyner’s group for five years and then back to Elvin for a year, and in the meantime recorded with Roberta Flack.
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Eric Reed Quartet, Pan African People's Arkestra and Pharoah Sanders / Joey DeFrancesco Tribute Band
by Chuck Koton
Eric Reed Quartet Sam FirstLos Angeles, CA June 9, 2023 This spring's weather was unseasonably cool, but the jazz scene has been hot in California! In June, master pianist Eric Reed brought his quartet, including tenor saxophonist Ralph Moore, bassist Mike Gurrola and drummer Reggie Quinerly to Sam First, a cozy jazz club just east of Los Angeles International Airport. The band opened with a composition of Moore's titled 623 C Street," which, according to Mr Reed, ...
Continue ReadingBill Ortiz: Points of View
by Nicholas F. Mondello
Long associated with Carlos Santana, with whom he had a 16-year stint, trumpeter Bill Ortiz steps into the spotlight here with an auspicious and highly entertaining session. Ten selections showcase Ortiz who is supported by some of the Bay area's best. The order of the day is energy, excitement, and an overall superb show. Sunburst," an Eddie Henderson tune, launches things with a pulsing piano, driving bass, textured rhythms and Ortiz wailing, first using a Harmon mute ...
Continue ReadingThe Azar Lawrence Experience at Bach Dancing and Dynamite Society
by Roy Strassman
The Azar Lawrence Experience Bach Dancing and Dynamite Society Half Moon Bay, CA July 31, 2022 Azar Lawrence's most recent incarnation of The Azar Lawrence Experience brought its energetic presence to grace Half Moon Bay's Bach Dancing and Dynamite Society on July's final afternoon. The Experience" featured a unique front line consisting of two horns, a guitar, and a vocalist. Somehow, the group's very presence evoked a feeling of freshness and inspiration. The ...
Continue ReadingAzar Lawrence Has Paid His Dues...Two times
by Chuck Koton
Tenor and soprano saxophonist Azar Lawrence has been one of the most dynamic and spiritually-charged reed players of the post-John Coltrane generation. Lawrence forged his sound in the fires of the Elvin Jones and McCoy Tyner bands in the 1970s and, for nearly five decades, he has performed and recorded with the best musicians in the world. Today, Lawrence is at the peak of his horn playing, blowing with as much beauty, power and intensity as anyone on the music ...
Continue ReadingSummer Solstice
by C. Andrew Hovan
Founded in 1949 by Bob Weinstock, the Prestige label was home to some of the best hard bop, swing, and blues music of the '50s and '60s. The diversity of the catalog through subsidiary labels such as Swingville and Bluesville was nothing short of extraordinary. Be it spoken word albums, Southern blues, or the folk strains from India, Japan, or Ireland-there was something for everyone through this ambitious program. By 1971 when the label was sold to Fantasy ...
Continue ReadingAzar Lawrence: Elementals
by Chris May
Azar Lawrence sounds more like John Coltrane than John Coltrane ever did. Well, almost. Mid-period Coltrane that is, post Atlantic Records and the sheets of sound, when Coltrane starting to record for Impulse with producer Bob Thiele. The closeness of the resemblance is longstanding and uncanny, but it has not been a cynical pose designed to maximise Lawrence's commercial appeal. He was 15 years old when Coltrane passed away in 1967 and by that time the older saxophonist had already ...
Continue ReadingShock and Awe: Azar Lawrence Drops "The Seeker" On Dizzy's
by Chuck Koton
Azar Lawrence Quintet Dizzy's Club Coca Cola New York, NY June 26-29, 2014 There ain't no denyin' that jazz is best heard live." Ideally, the band is playing in a club equipped with quality sound and lighting systems, staffed by experienced people who are respectful of the music (especially bartenders who try to avoid running the drink mixers during bass and piano solos) and managed by someone who not only sees to it that ...
Continue ReadingMontreal Jazz Community Gives Us "Conduit"
Source:
Randy Cole
Montreal's storied Jazz community gives us Conduit, a risky live recording set in a former church. American sax legend Azar Lawrence (McCoy Tyner, Elvin Jones, Miles Davis) teams up with Canadian tenor-man Al McLean. The pair is recorded in one take, within a strikingly beautiful museum - La Musée des Maîtres et Artisans du Québec. The master craftsmen fit well in the reclaimed church, surrounded by exquisite artifacts. The chemistry that ensues is magic. Conduit sounds downright iconic, and remains ...
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Azar Lawrence, Classical to Jazz - Jazz to Classical
Source:
Linda G.
In the early 20th Century a young girl named Ima Jeane Smith often went to the movies Silent Pictures where the only sound was a live pianist, vamping dramatically in sync to the happenings on the screen. Upon returning home from the pictures, Ima Jeane would sit down to her piano and play the sound track" by memory. Her parents, Casey and Beulah recognized their daughter's gift and they provided her with formal lessons. Ima excelled in Classical music. She ...
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Journeyed Tenor Saxophonist Azar Lawrence Set to Release "Mystic Journey," May 4 on Furthermore Recordings
Source:
DL Media
JOURNEYED TENOR SAXOPHONIST AZAR LAWRENCESET TO RELEASE MYSTIC JOURNEY,MAY 4 ON FURTHERMORE RECORDINGS
ALBUM FEATURES EDDIE HENDERSON, GERALD HAYES, BENITO GONZALEZ, ESSIET ESSIET AND THE LATE RASHIED ALI LAWRENCE'S SEXTET TO PERFORM IN TRIBUTE TO ALI ON MAY 7 AT THE TRIBECA PERFORMING ARTS CENTER The re-emergence of saxophonist Azar Lawrence has been one of the most exciting things and perhaps one of the best-kept secrets of the past five years on the Los Angeles jazz scene. Those ...
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Music in the Clouds / Azar Lawrence – Blue Skies Smiling at Me - Swinging in the Big Blue Sky
Source:
Zarmedia
When Irving Berlin composed Blue Skies one has to wonder if Montana was on his mind. Berlin wrote Blue Skies in 1926, it was featured in the first feature-length talkie, The Jazz Singer and became a hit. Montana is known as Big Sky Country because of it's beautiful mountains and healthy terrain, yet topography is not Montana's only attraction. With Montana's rich music and arts scene it can also be called Big Jazz Country. On the heels of the International ...
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Harmony Festival Celebration in Santa Rosa, California
Source:
All About Jazz
The Harmony Festival is celebrating its 31st anniversary June 12th, 13th and 14th at the Sonoma County Fairgrounds in Santa Rosa, California.
The event was born out of a desire by several Sonoma State students to combine music with an exposition of that eras cutting edge lifestyles. According to founder Debra Giusti, the festival was birthed from the passionate core values of the 60s, like global awareness and personal spiritual awakening.
California has long been noted for the willingness of ...
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Azar Lawrence - Making a Musical Statement! Tour Announced
Source:
Zarmedia
There’s a reason jazz legends like McCoy Tyner, Benny Golson and Pharoah Sanders have been asking Azar to sit in with their groups lately. Sure, they are close friends and they’ve played together any number of times. They’ve all watched his reemergence onto the jazz scene in the past few years. But they want Azar to join them on stage because he’s at the top of his game, playing with the kind of heart and spirit that comes only from ...
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Azar Lawrence & Legends of L.A. / Jazz Heavyweights
Source:
Michael Ricci
Jazz lovers in Los Angeles are very appreciative of one our own." Los Angeles native son, Azar Lawrence is touring again across the country. He is solidifying his rhythm section on the East Coast, Benito Lopez, Billy & Lorca Hart, Essiet Okon Essiet, and many stalwarts in New York are glad to have him back on the scene in the Capitol of America's indigenous music, Jazz. Tightening up his West Coast rhythm section, Azar is collaborating with Nate Morgan, on ...
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Azar Lawrence - A New Revelation - Jazz Bakery, Sunday 11.25.07
Source:
All About Jazz
Los Angeles, CA, November 6, 2007 - The Los Angeles' Jazz scene historically can be labeled as Classical and Eclectic. Native Angeleno, Azar Lawrence has truly been a major contributor to the West Coast music landscape beginning in the early 70's. Known for arranging, composing, and playing for McCoy Tyner, Elvin Jones, Earth Wind & Fire, and as a major performer on countless productions; specially noted his 1978 performance with Miles Davis Live at Carnegie Hall where the album Dark ...
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Saxophonist Azar Lawrence Interviewed at AAJ
Source:
All About Jazz
One of the brightest young stars of the late seventies, saxophonist Azar Lawrence found regular employment with Elvin Jones, Miles Davis and McCoy Tyner, to name a rarified few. After burning his way through three solo albums, his name dropped from the jazz annals until his recent reemergence in Leimert Park, Los Angeles.
AAJ contributor Rex Butters spoke with Lawrence about his past work, current projects and where he's heading.
Check out Azar Lawrence: Rising Like Atlantis at AAJ today! ...
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Sax Man Azar Lawrence's Reemergence
Source:
All About Jazz
A Reemergence Straight Ahead Jazz" With The Azar Lawrence Quartet! Sax man Azar Lawrence said to have been quiet since his stellar beginning on the music scene in the 70's is reemerging as a serious front man. Child prodigy Azar Lawrence has made numerous contributions to the American music scene positioning him in the company of a veritable whose who among the country's traditional art form, and placing his name in the pantheon of our indigenous artist that have taken ...
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"...he’s still the same physical, gritty, pentatonically inclined tenor and soprano saxophonist. Lawrence made his name with the music he played in the ’70s.......... He should get it back with the music he’s playing today.", Chris Kelsey, JazzTimes, May 2009
"Today, Azar Lawrence burns like a bright, hot flame at the altar of his muse. Given the ever-present fire danger in the Southland, a fire truck should remain on call when Lawrence blows. " ........ "it is a medicinal injection of peace and joy to hear Azar Lawrence burning it up again." Chuck Koton, AllAboutJazz, January 2009