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Bill Holman
Born Willis Leonard Holman on May 21, 1927 in Olive, CA, near Santa Ana, Bill Holman took up clarinet in junior high school and tenor saxophone in high school by which time he was leading his own band. After serving in the Navy and studying engineering, he decided in the late '40s that he wanted to write big band music and studied for a while at the Westlake College of Music in Los Angeles with Dave Robertson and Dr. Alfred Sendrey. He also studied composition privately with Russ Garcia and saxaphone with Lloyd Reese.
In 1949 he played with the Ike Carpenter Band, in 1951, he was writing for Charlie Barnet, and in 1952 he began his association with Stan Kenton, for whom he wrote and played for many years. During the '50s, he was also active in the West Coast jazz movement, playing in small bands led by Shorty Rogers and Shelly Manne, and co-leading a quintet with Mel Lewis in 1958.
In the 60s, he widened his writing associations, and eventually contributed pieces to libraries and recordings of bands led by Louie Bellson, Count Basie, Terry Gibbs, Woody Herman, Bob Brookmeyer, Buddy Rich, Gerry Mulligan, Doc Severinsen and others. He has also written for such singers as Natalie Cole (her Grammy winning "Unforgettable" album, among others,) Tony Bennett, Carmen MacRae, Mel Torme, Woody Herman, Anita O'Day, Sarah Vaughn, June Christy and the Fifth Dimension. His arrangement of "Take The 'A" Train" for Severinsen's "Tonight Show Orchestra" earned Holman a Best Instrumental Grammy in 1987.
Holman started The Bill Holman Band in 1975. The band has made three albums, all for JVC: 1988's "The Bill Holman Band", 1995's "A View From The Side", for which Holman won a Best Instrumental Composition Grammy for the title track; and 1997's "Brilliant Corners: The Music of Thelonious Monk." This recording, certainly one of Holman's finest, celebrates both Monk and Holman and will no doubt renew excitement in fans about the possibilities to be found in the big band genre.
Since 1980, Holman has been increasingly active in Europe, writing, conducting and playing lengthy works for the West German Radio Orchestra in Cologne, Germany, and the Metropole Orchestra in Holland, that feature such soloists as Phil Woods, Sal Nistico and Lee Konitz.
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Terry Gibbs: Dream Band, Vol. 7: The Lost Tapes, 1959
by Jack Bowers
In 1959, vibraphonist Terry Gibbs and his recently formed big band set up shop at the Seville, a Los Angeles nightclub owned by Harry Schiller. Many of those early sessions were taped, at Gibbs' request, by famed recording engineer Wally Heider before being left on a shelf and forgotten. After two weeks at the Seville, Gibbs and the band moved to a second club, the Sundown. The band was successful, drew large crowds, and was soon recording, first for Norman ...
Continue ReadingTerry Gibbs: Terry Gibbs Dream Band, Vol. 7: The Lost Tapes, 1959
by Richard J Salvucci
Someone once asked Terry Gibbs how it was possible that if you took his side men, or some subset of them, and put them together in another band, they never quite sounded as good. Gibbs replied, modestly, that it was all in the arrangers. He got the best arrangers, like Bill Holman, Marty Paich and Med Flory. Others did not. And so the story went. It would have been tempting to ask if, perhaps, Gibbs had ...
Continue ReadingStan Kenton: Salute!
by Jack Bowers
Stan Kenton, one of the most renowned and influential bandleaders of the twentieth century, died on August 25, 1979. Fortunatelyfor the sake of history in general and creative music in particularKenton's remarkable legacy lives on, and in a perceptive and open-minded world would endure forever. Even to this day, small but devoted groups of enthusiasts share a wish that some previously hidden array of his material might come to light, satisfiying for the moment their craving for more memorable music ...
Continue ReadingLos Angeles Jazz Institute Festival "Big Band Spectacular" 2017, Part 4-4
by Simon Pilbrow
Los Angeles Jazz Institute Festival Big Band Spectacular LAX Westin Hotel Los Angeles, CA May 24-28, 2017 Part 1 | Part 2 | Part 3 | Part 4 Roger Neumann's Rather Large Band Roger Neumann has led this happy band for many decades. One current member, trumpeter Jack Coan, was also a foundation member in 1975. They play a repertoire of standards and classic jazz tunes, using the ...
Continue ReadingBill Holman
by Marcia Hillman
Bill Holman is a man with many milestones. Known primarily for years of unique and complex arrangements, Holman's continuing and long-running career as a composer and saxophonist reaches another milestone this month when he will be awarded the title of NEA Jazz Master. A California native, Holman took up clarinet in junior high school and tenor saxophone in high school where he was leading his own band. In the late '40s, after a stint in the US Navy and engineering ...
Continue ReadingBill Holman: Hommage & The Lost Bill Holman Charts
by Fred Bouchard
Bill Holman's varied and florescent career as composer-arranger shines on in the vanguard of a pack of scribes for Stan Kenton, Maynard Ferguson, Gerry Mulligan and Woody Herman. Playing tenor through the '50s for Kenton, Charlie Barnet and Shorty Rogers, Holman quit horn for pen in the '60s and has since proven a unique voice on his airy, anchored palette. Holman has kept his own big bands afloat as many do--through more thin than thick--and comes up with this bountiful ...
Continue ReadingBill Holman Band: Hommage
by Jack Bowers
Sometimes it's a matter of perspective. Having attended the concert in May 2006 at which most of Bill Holman's latest album, Hommage, was recorded, I must acknowledge a modest level of disappointment. It didn't seem up to the maestro's usual standards, an opinion I later shared with Graham Carter, head of Jazzed Media Records.
Okay, so I got it wrong. It wasn't the first time, nor will it be the last. Perhaps I was tired and out of sorts that ...
Continue ReadingBill Holman: (1927-2024)
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JazzWax by Marc Myers
Willis Bill" Holman, a three-time Grammy-winning arranger, composer and saxophonist and one of the last-surviving orchestrators who shaped West Coast jazz in the early 1950s, died May 6 in his sleep of natural causes. He was 96. Influenced most by Gerry Mulligan's arranging and the sound of Count Basie's band, Bill began writing for Kenton just as the popular brassy orchestra was facing musician defections over Kenton's drift into a neo-classical realm. Bill's composition and arrangement of Invention for Guitar ...
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Bill Holman: Octets, 1950s
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JazzWax by Marc Myers
One of my favorite West Coast jazz arrangers is Bill Holman. His pen is absolutely gorgeous for ensembles of all sizes, from quintets to big bands. While listening to Richie Kamuca albums in 1956 and '57 yesterday, I was thunderstruck by an octet session Bill played on and arranged. Which made me think about how superb all of Bill's many octet sessions are—whether he's playing in one or or arranging. So I dipped into Tom Lord's Jazz Discography to count ...
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The Hidden Bill Holman
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JazzWax by Marc Myers
Yesterday I posted on three little known powerhouse albums with arrangements by Bill Holman (above). Today, I'm turning you on to a superb album from 2012 that Tom Lord's Jazz Discography wasn't aware featured Bill's work: The Pete Christlieb & Linda Small 11-Piece Band's Tall & Small: High on U (Bosco). Christlieb (above) is a West Coast saxophonist who has played and recorded with big bands and small groups since 1965, when he bean with Si Zentner. That's his tenor ...
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Arrangements by Bill Holman
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JazzWax by Marc Myers
As a kid, I spent way too much time in New York record stores like Sam Goody, King Karol, Footlight, Dayton and Record Mart running my fingers through their bins. In the days before computers, I was always on the prowl for covers of jazz albums I had missed with solid guys listed in the personnel on the back. I discovered dozens of artists and LPs this way. It was always about the hunt and the promise of coming across ...
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Bill Holman: 87 and Swinging
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Rifftides by Doug Ramsey
This is Bill Holman’s birthday. At 87, the great arranger shows no inclination to sit around basking in the glow of his achievements. He and his band are gearing up for a concert tomorrow night at the Los Angeles Jazz Institute’s Adventures In Big Band Jazz, a four-day celebration featuring music associated with 13 big bands. In the course of his career, Holman has written for at least half of them, including those of Woody Herman, Stan Kenton, Buddy Rich, ...
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Bill Holman: Jive for Five
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JazzWax by Marc Myers
Bill Holman in the 1950s was largely a West Coast big band saxophonist and arranger. Occasionally, he broke away and led small-group recording sessions. In May and June of 1958, Bill recorded with a quintet for Hollywood's Andex Records, a Keen subsidiary founded by John and Alex Siamas in 1957. John Siamas had made his money in the aerospace industry and started a series of short-lived labels as a business hobby. The labels didn't last long. The album was Jive ...
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The Bill Holman Film
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Rifftides by Doug Ramsey
The Bill Holman documentary that I helped with late last year is moving closer to reality. Its producer, Kathryn King, has launched a fund-raising drive to help her and her crew complete the filmon schedule. That is how many projects are accomplished these days when they don’t have the backing of big Hollywood investors. Few of them have that kind of support, especially when the ventures have to do with the arts. In November, I spent a few days in ...
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Bill Holman on Don Bagley
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JazzWax by Marc Myers
Don Bagley, a jazz bassist whose thick, meaty time-keeping became the heartbeat of leading West Coast big bands and ensembles of the 1950s and beyond, died July 26. He was 85. [Pictured above: Don Bagley with Julie London in Japan in May 1964] Bagley spent a good portion of the '50s and '60s in the rhythm section of Stan Kenton's most ferocious orchestras. Kenton's early admiration and appreciation of Bagley's role was evident in September 1952, when the bandleader singled ...
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Other Places: Bill Holman Lauded
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Rifftides by Doug Ramsey
On his Jazz Profiles website, Steve Cerra begins a tribute to Bill Holman with this passage:In Japan, a select few of those who maintain the country's artistic traditions or make a unique contribution to them are accorded the respect of the nation by being designated as a Living National Treasure [a considerable amount of schimolies also come with the title each year]. When it comes to composing and arranging for Jazz big bands, no one is more deserving of such ...
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Legendary Jazz Artist, Grammy Winner and NEA Jazz Master Bill Holman Headlines 2010 Reno Jazz Festival, April 22-24
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Michael Ricci
Legendary American jazz saxophonist, composer, Grammy winner and 2010 NEA Jazz Master Bill Holman has spent many of his 82 years influencing, composing and arranging for the best musicians in the world, from Stan Kenton, Mel Lewis, Louie Bellson, Count Basie and Buddy Rich to vocalists Natalie Cole, Tony Bennett, Mel Torme and Sarah Vaughan. Joining the University of Nevada, Reno's 2010 Reno Jazz Festival in concert, Friday, April 23, at 7:30 p.m. in Lawlor Events Center, Bill Holman and ...
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