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Caroline Davis

Mobile since her birth in Singapore, composer and saxophonist Caroline Davis’s music covers a wide range of styles, owed to her shifting environment as a child. As a leader, she has released six albums: Live Work & Play (2012), Doors: Chicago Storylines (2015), Heart Tonic (2018), Alula (2019), Anthems (2019), and Portals (2021). She won Downbeat’s Critic’s Poll Rising Star Alto- Saxophonist (2018) and was listed in both Downbeat’s Readers Poll (2021) and JazzTimes Expanded Critics Poll (2021). Her work has garnered much praise from NPR, The New York Times, The Wire, DownBeat, JazzTimes, and many international publications. Davis is active as both a side-person and a leader in a diverse set of music communities (jazz, improvised music, modern classical, R&B, folk). Davis has worked with Lee Konitz, Angelica Sanchez, The Femme Jam, Matt Mitchell, Terry Riley, Miles Okazaki, Thana Alexa, and Billy Kaye, to name a few. Her collaborations include My Tree (with Ben Hoffmann) and Persona (with Rob Clearfield). Awards and recognitions over the years have included Caroline in various mentorship communities: Sisters in Jazz (2006), Betty Carter Jazz Ahead (2011), and the Mutual Mentorship Initiative (2020). Davis was the recipient of CMA's Performance Plus Grant (2021), NYFA's City Artist Corps Grant (2021), Jerome Hill Artist Fellowship (2019-2020); and she has participated in several residency programs, including fellow-in-residence at The Jazz Gallery (2022) and composer-in-residence at MacDowell (2019). Her compositional practice integrates music with the cognitive sciences, anatomical structures, and the brain, influenced by her Ph.D in Music Cognition. Davis is an advocate for social justice in the realm of gender (developed in a co-taught Jazz & Gender course at The New School) as well as in the abolitionist movement (Justice for Keith Lamar).

Awards

Sisters in Jazz (2006) Downbeat Outstanding Soloist (2007) Betty Carter Jazz Ahead Program (2011) DownBeat Critic's Poll #1 Rising Star Alto-Saxophonist (2018) MacDowell Fellow (2019) Jerome Foundation Fellow (2019-2020) NYFA Fellow (2021) Jazz Gallery Fellow (2022)


Tags

16
Album Review

Caroline Davis: Portals, Volume 2 : Returning

Read "Portals, Volume 2 : Returning" reviewed by Glenn Astarita


Alto saxophonist/composer Caroline Davis, a rising star in the jazz world, has unveiled her second installment of the “Portals" series, titled Portals Vol. 2: Returning. This album serves as a sonic memoir, inspired by her grandmother, Joan “Lady" Anson-Weber, and it represents a deeply personal journey of reflection and healing. As a gifted saxophonist and composer, Davis draws upon her grandmother's poetic legacy to craft a musical experience that is both moving and evocative. This album stands as ...

6
Radio & Podcasts

Marie Goudy's Paloma Sky, Gino Amato, Caroline Davis, The Danish Radio Big Band and Kurt Elling New Releases

Read "Marie Goudy's Paloma Sky, Gino Amato, Caroline Davis, The Danish Radio Big Band and Kurt Elling New Releases" reviewed by Mary Foster Conklin


This broadcast includes new releases from Marie Goudy's Paloma Sky, Gino Amato, Caroline Davis, April Aloisio & Joanie Pallatto, The Danish Radio Big Band and Kurt Elling, with birthday shoutouts to composer Doris Tauber (Them There Eyes, Drinkin Again), Helen Sung, Bobby Short (100), Wesla Whitfield, Amy Winehouse, Lorraine Feather, Champian Fulton and Maria Muldaur, among others. Happy listening and please support the artists you hear. See them live, purchase their music so they can continue to distract, comfort, provoke ...

Album Review

Miles Okazaki: Miniature America

Read "Miniature America" reviewed by Alberto Bazzurro


Ventidue miniature svarianti da uno a sei minuti, con impegnati sottoinsiemi (o microgruppi, se preferite) estrapolati dal totale dei dieci elementi, sette strumentisti e tre cantanti, coinvolti nell'operazione, è quanto ci offre questo nuovo lavoro discografico (il dodicesimo, ci viene detto) a nome del cinquantenne chitarrista Miles Okazaki, con la partecipazione di svariati musicisti di punta dell'attuale scena newyorchese (e non). Ogni episodio possiede--fisiologicamente, verrebbe da dire--un aplomb cameristico di sicuro fascino, anche se è inevitabile che il ...

100
Album Review

Eden Har-Gil: Hearts of Palm

Read "Hearts of Palm" reviewed by Glenn Astarita


Israeli-born drummer and composer Eden Har-Gil, now making waves from his New York City base, debuts with Hearts of Palm--an album that boldly dances to its own beat, weaving together jazz textures with an audacious spirit. At the core of this vibrant soundscape are saxophonists Caroline Davis and Lo Wood, who do more than play their instruments; they engage them in eloquent dialogues that span the album's entirety. Har-Gil shrewdly leverages this world-class ensemble, including the A-list bassist Dezron Douglas. ...

Album Review

Mike McGinnis + 9: Outing

Read "Outing" reviewed by Angelo Leonardi


Il nuovo album di Mike McGinnis si riallaccia a un'incisione del 2013 (Roadtrip, RKM) realizzata con un tentet d'identica strumentazione e un solo mutamento d'organico: Caroline Davis al sax contralto prende il posto di Matt Blostein. Dopo il successo del suo trio del 2017/18 con Steve Swallow e Paul Bley (ricordiamo i due album Sunnyside Recurring Dream e Singular Awakening) il clarinettista torna a evidenziare le sue doti di autore e arrangiatore in un medio organico che ...

1
Album Review

Caroline Davis’ Alula: Captivity

Read "Captivity" reviewed by Alberto Bazzurro


Quote rosa in perfetto equilibrio in questo nuovo lavoro della quarantaduenne altosassofonista Caroline Davis, al secolo Caroline Rebecca Anson, alla testa di Alula, in edizione riveduta e corretta (con Chris Tordini e Tyshawn Sorey al posto di Matt Mitchell e Greg Saunier, oltre a Val Jeanty, giradischi ed elettronica), e in equilibrio anche il comparto acustico rispetto a quello--chiamiamolo--extra-acustico (con periodici inserti vocali), per un'opera decisamente fuori dagli schemi e da una mai auspicabile prevedibilità. Fisiologicamente marcata ...

1
Album Review

Yuhan Su: Liberated Gesture

Read "Liberated Gesture" reviewed by Angelo Leonardi


«Quest'album rappresenta la libertà che stavo cercando--dice Yuhan Su--una variante di me più raffinata e un messaggio sul periodo in cui ci troviamo». Giunta al quarto disco in un decennio d'attività professionale a New York, la vibrafonista taiwanese conferma d'essere una strumentista di prim'ordine e soprattutto una compositrice e leader innovativa, in equilibrio tra post-bop e avanguardia. I segni erano evidenti nel suo precedente album per la Sunnyside (City Animals, 2018) inciso con un quintetto differente, dove ...

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5

Recording

"Doors: Chicago Storylines," New CD By Alto Saxophonist/Composer Caroline Davis, Due Nov. 6

"Doors: Chicago Storylines," New CD By Alto Saxophonist/Composer Caroline Davis, Due Nov. 6

Source: Terri Hinte Publicity

Following the release of her much-praised 2012 debut, Live Work & Play, alto saxophonist and composer Caroline Davis relocated from jny: Chicago to jny: New York City and got to work on an ambitious project that had been germinating for seven years. To honor her eight-year residency in Chicago, she combines spoken stories and original compositions on her new CD Doors: Chicago Storylines, which will be released by ears&eyes Records on November 6. Joining her on Doors are longtime members ...

2

Recording

Chicago-based Alto Saxophonist Caroline Davis Debuts On CD With "Live Work & Play" Nov. 6

Chicago-based Alto Saxophonist Caroline Davis Debuts On CD With "Live Work & Play" Nov. 6

Source: Terri Hinte Publicity

Caroline Davis's star has been rising in Chicago. She’s been called “one of the city’s strongest and most exciting jazz saxophonists” (Chicago Reader) whose “musical development over the last three years has been nothing short of startling” (Chicago Music). On November 6, Davis brings her music to a national audience and beyond with the release of her powerful and compelling debut album, Live Work & Play (Ears & Eyes Records). Featuring her quartet of Mike Allemana (guitar), Matt Ferguson (bass), ...

"One of 2012’s best local CDs, Live Work & Play, features six intriguing originals, a lovely arrangement of Billy Strayhorn’s Blood Count by guitarist Michael Allemana and a romp through Charlie Parker’s Cheryl. Davis is just at home in totally free settings, much like Lee Konitz, who, with her smeary tone and intelligent lines, she somewhat resembles.” - Michael Jackson, Chicago Sun Times, 2012

“All in all, proof that there is superb jazz still emerging from America's Second City.” - Jon Turney, Londonjazz.blogspot.co.uk, 2012

"But if you've heard Davis in the past year, you already know that her own playing provides all the validation she needs." - Peter Margasak, Chicago Reader, 2012

Primary Instrument

Saxophone

Location

New York City

Willing to teach

Intermediate to advanced

Lee Konitz
saxophone, alto
Suzanne Ciani
keyboards

Photos

Music

Recordings: As Leader | As Sideperson

Hearts of Palm

XJAZZ Music
2024

buy

Outing

Sunnyside Records
2024

buy

Miniature America

Cygnus Recordings
2024

buy

Portals, Volume 2 :...

Intakt Records
2024

buy

Liberated Gesture

Sunnyside Records
2023

buy

Captivity

Ropeadope
2023

buy

The Cocktail Party

From: Miniature America
By Caroline Davis

Videos

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