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Jazzed in the Mouse House
by Patrick Burnette
Jazz has gone some pretty wacky places--Russia, South America, the White House--but believe it or not, sometimes it even invades that princess-industrial complex we know and love as the Disney corporation. Listen and learn as Mike leads us deep into this heart of darkness and we see how a rainbow of different jazz artists come to terms with the musical productions of that most profit-driven rodent of them all. Playlist Discussion of Various Artist's album Jazz Loves Disney ...
Continue ReadingJazz Fest Deemed A Success (Three Years In A Row): A Look Back At The Virginia Beach Jazz Festival 1959-1961
by Troy Hoffman
They say that music is the “great communicator," and if so then jazz is the most fluent. Just a few miles away from the famous jazz club, The Jolly Roger, in Virginia Beach, the Robert E. Lee Amphitheater was newly built to seat 2,000 and was the location of the area's first Virginia Beach Jazz Festival on August 30, 1959. Leading up to opening day, promoters had multiple concerns for the concert's success, both financial and social. With a lot ...
Continue ReadingDave Brubeck: A Dave Brubeck Christmas
by Mark Sullivan
This was Dave Brubeck's fourth album of unaccompanied solo piano, originally released on Telarc in 1996. As the title implies, Brubeck Plays Brubeck (Columbia, 1956) was devoted to original music and sketches. But all of the others mainly featured the pianist interpreting other people's compositions; in this case, mainly brief treatments of traditional Christmas music and popular standards. Brubeck was after a particular atmosphere: his liner notes describe music as an essential part of Christmas celebrations in his family, with ...
Continue ReadingThe Dave Brubeck Quartet: The Dave Brubeck Quartet, Live From The Northwest, 1959
by Mike Jurkovic
Like Elemental Music's previously unheard Bill Evans' set, Tales: Live in Copenhagen (1964), The Dave Brubeck Quartet, Live From The Northwest, 1959 may not hold the historical weight of other posthumous Brubeck releases, but it certainly displays the effortless virtuosity and invention the quartet brought to every gig, large or small, far and wide and in-between. Just months before Brubeck, alto saxophonist Paul Desmond, bassist Eugene Wright, and drummer Joe Morello would set the music world alight with Time Out (Columbia, 1959), Wally ...
Continue ReadingDave Brubeck: A Dave Brubeck Christmas
by Richard J Salvucci
As the end of the year Holidays draw near, it is difficult to avoid a certain cynicism about seasonal music. Take Christmas albums. Some artists have multiple efforts. It is a virtual guarantee that someone at random--say Ferlin Husky--has a Christmas album. A risk-taker could probably safely win a blind wager, because, well, everyone has one. It would take far too much space and patience to provide a sample. Besides, this is about Dave Brubeck. Honestly, some listeners ...
Continue ReadingBrubeck In '59 And Some Brand New Jazz Releases
by Bob Osborne
On this show we feature new new releases from Dave Brubeck, Voodoo Drummer, Matías Formica, Art Hirahara, John Herberman, Ivo Perelman, Susan Alcorn, Afro Peruvian New Trends Orchestra, Barry Deister, Constantine Alexander, and, Laurent Estoppey with Daniel Levin.Playlist Show Intro 00:00 The Dave Brubeck Quartet “Basin Street Blues" from Live from the Northwest, 1959 (Brubeck Editions) 00:54 Voodoo Drummer “Gnossienne No 1/Milo mou kokkino" from Erik Satie in 7/8 + Milo mou kokkino (Self Released) 07:42 Matías Formica ...
Continue ReadingThe Dave Brubeck Quartet: The Dave Brubeck Quartet Live from the Northwest,1959
by Pierre Giroux
The Dave Brubeck Quartet Live from the Northwest,1959 was recorded in a moment of jazz history that showcased the quartet's exceptional musical prowess and Dave Brubeck's innovative approach to jazz composition. The album offers a vibrant snapshot of the group's improvisational energy and collective synergy exemplified by the four incomparable musicians, which, in addition to Brubeck, were Paul Desmond alto saxophone, Eugene Wright on bass and Joe Morello drums. This seven-track concert was recorded over two ...
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