Gary Bartz

Gary Bartz has been known to many as a trail blazer in the music business from the moment he started playing with Art Blakey at his father’s jazz club in his hometown of Baltimore, MD to his own music throughout the 57 years as a professional musician. As if his Grammy Award© with McCoy Tyner in 2005 (‘Illuminations’) wasn’t enough to carve out a place for Bartz in the jazz genre, he has broken the mold with more than 40 solo albums and over 200 as a guest artist.

Gary Bartz first came to New York In 1958 to attend the Julliard Conservatory of Music. Just 17 years old, Gary couldn't wait to come to the city to play and learn. "It was a very good time for the music in New York, at the end of what had been the be-bop era," says Bartz. "Charlie Parker had passed away three years previously but Miles' group was in its heyday, Monk was down at the Five Spot, and Ornette Coleman was just coming to town. Things were fresh." Back then, Gary could regularly be found drinking Cokes in the all ages "peanut gallery" of Birdland, enjoying a marathon bill of performers. "If I didn't have money to get in. I'd help somebody carry a drum and sneak in," laughs Bartz. "I learned that early on."

Circa mid-'60s, the alto saxophonist - still in his early 20s - began performing throughout the city with the Max Roach/Abbey Lincoln Group and quickly established himself as the most promising alto voice since Cannonball Adderley. "In those days, we used to go by people's lofts and stay for weeks, just working on music," says Gary. "Folks would all chip in and buy food, and one of us would cook. But there was always music, because people were dropping by at all hours. We didn't even think about it; that's just what we did. We were very unselfish about what we were writing because, after all, music doesn't belong to any one person. It belongs to the people, to everybody."

With the splash of his New York debut solidly behind him, Bartz soon joined Art Blakey's Jazz Messengers. According to the story, Gary's parents owned a club in Baltimore, the North End Lounge. When his father hired Blakey for a gig, Gary grabbed the opportunity to fill a sax player vacancy in the band. After his performance that night, the young Bartz was officially hired to join the Jazz Messengers; in 1965, he would make his recording debut on Blakey's ‘Soulfinger’ album.

From 1962-64, Gary joined Charles Mingus' Workshop and began practicing regularly with fellow members of the horn section, including Eric Dolphy. In 1968, Bartz began an association with McCoy Tyner, which included participating in Tyner's classic ‘Expansions and Extentions’ albums. Work with McCoy proved especially significant for Bartz because of the bandleader's strong connection to John Coltrane — who Gary succinctly cites as a profound influence.

During his first two years with Tyner, Gary was also touring with Max Roach and taking some time out to record on Max's Atlantic Records release, ‘Mermbers Don’t Get Weary’. "With Max, there was that bond with Charlie Parker," declares Bartz. "Charlie Parker is why I play the alto saxophone."

Bartz received a call from Miles Davis in 1970; work with the legendary horn player marked Gary's first experience playing electric music. It also reaffirmed his yen for an even stronger connection to Coltrane.

In addition to working with Miles in the early '70s - including playing the historic Isle of Wight Festival in August, 1970 - Bartz was busy fronting his own NTU Troop ensemble. The group got its name from the Bantu language: NTU means unity in all things, time and space, living and dead, seen and unseen.Outside the Troop, Bartz had been recording as a group leader since 1968, and continued to do so throughout the '70s, during which time he released such acclaimed albums as, ‘Another Earth’, ‘Home’, ‘Music Is My Sanctuary’ and ‘Love Affair’, by the late '70s, he was doing studio work in Los Angeles with Norman Connors and Phyllis Hyman. In 1988, after a nine-year break between solo releases, Bartz began recording what music columnist Gene Kalbacher described as "Vital ear-opening sides," on such albums as ‘Monsoon’, ‘West 42nd Street’, ‘There Goes The Neighborhood’, and ‘Shadows’.

Bartz followed those impressive works in 1995 with the release of his debut Atlantic album ‘The Red and Orange Poems’ a self-described musical mystery novel and just one of Gary's brilliantly conceived concept albums. Back when Bartz masterminded the much-touted ‘I’ve Known Rivers’ album, based on the poetry of Langston Hughes, his concepts would be twenty years ahead of those held by some of today's jazz/hip hop and acid jazz combos.

So it continues with ‘The Blues Chronicles: Tales of Life’ A testimonial to a steadfast belief in the power of music to soothe, challenge, spark a crowd to full freak, or move one person to think. It adds up to a shoe box full of musical snapshots from a life lived and played with passion and stirred - with both joy and sadness - by the blues.

Gary's release ‘Live at the Jazz Standard Volume 1 – Soulstice’ is the first of a series of recordings documenting his legendary, non-stop style, live performances. This initial release on his own OYO label bares testimony to Gary's continuing growth as a composer, group leader, and master of both the alto and soprano saxophones. A quartet session recorded in 1998, was followed by ‘Live at the Jazz Standard, Volume 2’ released in 2000, which features Gary's exciting Sextet. His follow up release ‘Soprano Stories’ Gary exclusively performed on the soprano saxophone in a studio quartet setting.

His follow up album to the highly acclaimed Volume I of the Coltrane Files, Toa Of A Music Warrior, will be released in early 2015 along with his album honoring Woody Shaw entitled ‘Two MF’s’. Gary Bartz continues taken his rightful place in the pantheon of jazz greats and has his sight is set on releasing more music on his label OYO Records.

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Gary Bartz, Sun Ra, Meshell Ndegeocello and More

by Jerome Wilson
January 10, 2024

This show gets into both the celestial and the funky with artists such as Gary Bartz, Sun Ra, Oliver Nelson, Itamar Borochov, and Meshell Ndegeocello. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Sun Ra “Rocket Number Nine Take Off For The Planet Venus" from Visits Planet Earth/Interstellar Low Ways (Evidence) 00:53 Kathrine Windfeld “Safe and Sorrow" from Determination (Prophone) 7:05 ...

The Vinyl Post

Blackstone Legacy

by C. Andrew Hovan
November 9, 2023

When trumpeter Woody Shaw passed away in 1989, he left behind a wealth of amazing music, notwithstanding the realized sadness inherent in wondering what more he could have accomplished had he lived a longer life. Back in the mid '60s, Shaw was ubiquitous as a sideman recording iconic albums with the likes of Larry Young, Horace Silver, Chick Corea, Art Blakey, and McCoy Tyner. Despite common misconceptions, Shaw led his first date as a leader in December of 1965, which ...

Album Review

Funkwrench Blues: Soundtrack For A Film Without Pictures

Read "Soundtrack For A Film Without Pictures" reviewed by Chris May

by Chris May
August 3, 2023

Once upon a time it was hard to walk into an arthouse cinema without bumping into a jazz soundtrack. Miles Davis' for Louis Malle's Ascenseur Pour L'échafaud (1958), Charles Mingus' for John Cassavetes' Shadows (1959), Krzysztof Komeda's for Roman Polanski's Knife In The Water (1962) were among a legion of similarly inclined endeavours. But all that was a long time ago in a galaxy far, far away. In the 2020s, if you want to hear a freshly ...

Album Review

Roseanna Vitro: Sing a Song of Bird

Read "Sing a Song of Bird" reviewed by Pierre Giroux

by Pierre Giroux
November 2, 2021

Roseanne Vitro is one of those jazz singers who falls into the category of “I recognize the voice, but I just can't seem to place her." She has more than a respectable discography which stretches back to 1982, when she released her debut album Listen Here for the Texas Rose label. Her fall 2021 album, Sing A Song Of Bird, is a combination of abundance of attitude and perseverance, since it is composed of two separate sessions (one recorded in ...

Album Review

Gary Bartz NTU Troop: Live In Bremen

Read "Live In Bremen" reviewed by Chris May

by Chris May
May 20, 2021

In the early 1970s there was fusion and there was NTU Troop. After paying his dues in bands led by Charles Mingus, Max Roach and Art Blakey, Bartz made a splash in 1969 with his sophomore album, Another Earth (Milestone), a genius blend of spiritual jazz, space jazz and down and dirty blues. On it, Bartz was joined by tenor saxophonist Pharoah Sanders, trumpeter Charles Tolliver, pianist Stanley Cowell, bassist Reggie Workman and drummer Freddie Waits. Heavy company.

Interview

Gary Bartz At 80: On Jazz Is Dead, Miles Davis And Why Improvisation Is A Dirty Word

by Rob Garratt
May 5, 2021

It's hard to talk to Gary Bartz about music. Not because he's a difficult or reluctant interviewee—quite the opposite. In fact, the 80-year-old saxophonist is refreshingly unguarded and garrulous when looking back over his formidable six-decade musical career. It's just finding the right words that's the tricky part. Like many musicians, jazz isn't one of them he's a fan of—for the word's pejorative roots as much as its genre pigeonholing. Which is why, as a quick-fast rule, it ...

Album Review

Gary Bartz and Maisha: Night Dreamer Direct-To-Disc Sessions

Read "Night Dreamer Direct-To-Disc Sessions" reviewed by Emmanuel Di Tommaso

by Emmanuel Di Tommaso
August 7, 2020

La storia della collaborazione fra il leggendario Gary Bartz e il collettivo di spiritual jazz Maisha risale al 2019, quando il DJ e produttore Gilles Peterson invitò il veterano del sax contralto a suonare al We Out Here Festival di Londra supportato dal collettivo fondato dal batterista Jake Long. Quella prima esibizione andò così bene che Bartz e i Maisha cominciarono a suonare in tutta Europa. Nel mezzo del tour europeo decisero poi di fermarsi qualche giorno ad Amsterdam per ...

Event

2024 NEA Jazz Masters Honored At Free Events

Source: Silky Sullivan
April 13, 2024

Washington, DC—The National Endowment for the Arts, in collaboration with the John F. Kennedy Center for the Performing Arts, will celebrate the 2024 NEA Jazz Masters at a series of public events April 11-13, 2024, in Washington, DC, culminating in a free tribute concert on Saturday, April 13. The 2024 NEA Jazz Masters tribute concert will include virtuoso vocalist and pianist Amina Claudine Myers, prolific saxophonist Gary Bartz, Grammy-winning trumpet player and composer Terence Blanchard, and writer and Artistic Director ...
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Birthday

Jazz Musician of the Day: Gary Bartz

Source: Michael Ricci
September 26, 2022

All About Jazz is celebrating Gary Bartz's birthday today!

Gary Bartz has been known to many as a trail blazer in the music business from the moment he started playing with Art Blakey at his father’s jazz club in his hometown of Baltimore, MD to his own music throughout the 57 years as a professional musician. As if his Grammy Award with McCoy Tyner in 2005 (‘Illuminations’) wasn’t enough to carve out a place for Bartz in the jazz genre, ...
read more

Event

Gary Bartz Headlines 13th Annual Berklee Global Jazz Summit

Source: Daniel Pesquera
March 23, 2022

The Berklee Global Jazz Institute (BGJI) presents its 13th annual Berklee Global Jazz Summit on March 24, 8:00 p.m. at the Berklee Performance Center, featuring special guest saxophonist Gary Bartz, as well as original compositions from BGJI faculty, alumni, visiting artists, and students. Hosted by BGJI founder and Grammy Award-winning composer and pianist Danilo Pérez, this year’s concert honors the accomplishments of several acclaimed members of the BGJI community, with performances specially dedicated to influential women in celebration of Women’s ...
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Birthday

Jazz Musician of the Day: Gary Bartz

Source: Michael Ricci
September 26, 2021

All About Jazz is celebrating Gary Bartz's birthday today!

Gary Bartz has been known to many as a trail blazer in the music business from the moment he started playing with Art Blakey at his father’s jazz club in his hometown of Baltimore, MD to his own music throughout the 57 years as a professional musician. As if his Grammy Award with McCoy Tyner in 2005 (‘Illuminations’) wasn’t enough to carve out a place for Bartz in the jazz genre, ...
read more

Birthday

Jazz Musician of the Day: Gary Bartz

Source: Michael Ricci
September 26, 2020

All About Jazz is celebrating Gary Bartz's birthday today!

Gary Bartz has been known to many as a trail blazer in the music business from the moment he started playing with Art Blakey at his father’s jazz club in his hometown of Baltimore, MD to his own music throughout the 57 years as a professional musician. As if his Grammy Award with McCoy Tyner in 2005 (‘Illuminations’) wasn’t enough to carve out a place for Bartz in the jazz genre, ...
read more

Birthday

Jazz Musician of the Day: Gary Bartz

Source: Michael Ricci
September 26, 2019

All About Jazz is celebrating Gary Bartz's birthday today!

Gary Bartz has been known to many as a trail blazer in the music business from the moment he started playing with Art Blakey at his father’s jazz club in his hometown of Baltimore, MD to his own music throughout the 57 years as a professional musician. As if his Grammy Award with McCoy Tyner in 2005 (‘Illuminations’) wasn’t enough to carve out a place for Bartz in the jazz genre... ...
read more

Birthday

Jazz Musician of the Day: Gary Bartz

Source: Michael Ricci
September 26, 2018

All About Jazz is celebrating Gary Bartz's birthday today!

Gary Bartz has been known to many as a trail blazer in the music business from the moment he started playing with Art Blakey at his father’s jazz club in his hometown of Baltimore, MD to his own music throughout the 57 years as a professional musician. As if his Grammy Award with McCoy Tyner in 2005 (‘Illuminations’) wasn’t enough to carve out a place for Bartz in the jazz genre... ...
read more

Birthday

Jazz Musician of the Day: Gary Bartz

Source: Michael Ricci
September 26, 2017

All About Jazz is celebrating Gary Bartz's birthday today!

Gary Bartz has been known to many as a trail blazer in the music business from the moment he started playing with Art Blakey at his father’s jazz club in his hometown of Baltimore, MD to his own music throughout the 57 years as a professional musician. As if his Grammy Award with McCoy Tyner in 2005 (‘Illuminations’) wasn’t enough to carve out a place for Bartz in the jazz genre... ...
read more

Birthday

Jazz Musician of the Day: Gary Bartz

Source: Michael Ricci
September 26, 2016

All About Jazz is celebrating Gary Bartz's birthday today!

Gary Bartz has been known to many as a trail blazer in the music business from the moment he started playing with Art Blakey at his father’s jazz club in his hometown of Baltimore, MD to his own music throughout the 57 years as a professional musician. As if his Grammy Award with McCoy Tyner in 2005 (‘Illuminations’) wasn’t enough to carve out a place for Bartz in the jazz genre... ...
read more

Birthday

Jazz Musician of the Day: Gary Bartz

Source: Michael Ricci
September 26, 2015

All About Jazz is celebrating Gary Bartz's birthday today! Jazz saxophonist Gary Bartz first came to New York in 1958 to attend the Julliard Conservatory of Music. Just 17 years old, Gary couldn\'t wait to come to the city to play and learn. “It was a very good time for the music in New York, at the end of what had been the be-bop era," says Bartz. “Charlie Parker had passed away three years previously but Miles\' group was in ...
read more