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Gene Krupa
Gene Krupa was easily one of the most colorful personalities of the big band era. Despite his outrageous stage persona, Krupa was a serious and disciplined musician whose vision changed the role of drummer forever and who helped standardize the jazz drum kit.
Eugene Bertram Krupa was born in Chicago in 1909; he began learning the saxophone at age six but switched to drums five years later because they were the cheapest item in the music store. He played in local dance bands while still in his teens, and in spite of his mother's wishes that he study for the priesthood he decided to become a professional musician.
Krupa made his first recording in 1927 as a member of the Chicagoans, with Eddie Condon and Red McKenzie. He is said to be the first drummer to use both a bass drum and tom-toms together in the studio. In 1928 he worked with female bandleader Thelma Terry. In 1929 he moved to New York, along with Condon and his other bandmates, to work with singer Bee Palmer. When that job fell through they ended up working for Red Nichols in his various pit bands. Krupa also found work with orchestra leaders Mal Hallett, Buddy Rogers, Russ Columbo, Roger Wolfe Kahn, and Irving Aaronson.
In 1934 Krupa joined Benny Goodman's orchestra, where he played a major role in its success, and was the propeller for the bands popular “Sing, Sing, Sing.” His wild appearance and drum playing made him a star in his own right. As Krupa's popularity grew tension mounted between him and Goodman, by 1938, not long after the famous Carnegie Hall Concert, the two had a falling out, and Krupa left to form his own outfit.
With help from Tommy Dorsey's managers, Krupa put together an exciting group that made its debut in April on the Steel Pier in Atlantic City. Female vocalist for that date was Jerry Kruger. Helen Ward joined the band for its first recording session, after which Irene Daye became featured vocalist. Male vocalist for the first year was the ultra-wild scat singer Leo Watson.
Though the band was a big hit in concert, its recordings, first on Victor and then on Brunswick, proved rather dull. It wasn't until the arrival of trumpeter/singer Roy Eldridge and groundbreaking jazz vocalist Anita O'Day that the group finally came into its own. The duo provided a much needed spark that sent the orchestra to the top of the charts with the big hit “Let Me Off Downtown.” The ride, though, lasted little more than a year. Bad times hit in 1943, first O'Day briefly left the group, and soon after her return Krupa was arrested in San Francisco on charges of marijuana possession.
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Gene Krupa Quartet: The Gene Krupa Quartet: Live 1966!
by Richard J Salvucci
This was a period, late in Gene Krupa's career, when he really wasn't up to much, or so some critics said. Whether that's fair or not is not for me to say. When Krupa appeared in the summer of 1965 at the Steel Pier in jny: Atlantic City he only rated second billing to The Supremes. He didn't seem to care. The band he had was, with the exception of Eddie Shu, this one. If you were young and impressionable, ...
Continue ReadingGene Krupa: Boogie, Ballads, and Be-Bop: The Best of the Columbia Years 1945-1949
by David Rickert
Gene Krupa’s flailing arms and floppy hair were undeniable emblems of the Big Band Era. As the first drummer to explore the uses of the full drum kit in jazz (and insist that it be miked at full volume) he helped propel Benny Goodman to stardom-who hasn’t heard the famous opening to “Sing, Sing, Sing”? His success with Goodman (and, as some claim, ego clashes) led to Krupa forming his own big band, which was as successful as any of ...
Continue ReadingThe Gene Krupa Quartet: Live from the Inn Club, Chicago, IL, January 11, 1957
by Jack Bowers
By January 1957, when this concert date was recorded at the Inn Club in Chicago, Gene Krupa’s salad days as a member of the Benny Goodman Orchestra and leader of his own big bands were behind him, but he remained a major figure on the Jazz scene, even though his flamboyant style of drumming, once considered state–of–the–art (at least in the public’s mind), had been overshadowed by the incomparable Buddy Rich and such be–bopping innovators as Kenny Clarke, Max Roach, ...
Continue ReadingPerfection: Gene Krupa - Mulligan Stew
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JazzWax by Marc Myers
On October 20, 21 and 22 of 1958, drummer Gene Krupa assembled a crack New York big band to record Gene Krupa Plays Gerry Mulligan Arrangements for Verve. The idea was brilliant. One of the most interesting songs out of the 12 recorded was Mulligan Stew, a sexy bop chart. The material is terrific—from the song's opening and solos by Phil Woods, Urbie Green and Frank Sokolow to the call and response by the different sections and sassy swing. Mulligan ...
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Jazz Musician of the Day: Gene Krupa
Source:
Michael Ricci
All About Jazz is celebrating Gene Krupa's birthday today!
Gene Krupa was easily one of the most colorful personalities of the big band era. Despite his outrageous stage persona, Krupa was a serious and disciplined musician whose vision changed the role of drummer forever and who helped standardize the jazz drum kit. Eugene Bertram Krupa was born in Chicago in 1909; he began learning the saxophone at age six but switched to drums five years later because they were the ...
read more
Jazz Musician of the Day: Gene Krupa
Source:
Michael Ricci
All About Jazz is celebrating Gene Krupa's birthday today!
Gene Krupa was easily one of the most colorful personalities of the big band era. Despite his outrageous stage persona, Krupa was a serious and disciplined musician whose vision changed the role of drummer forever and who helped standardize the jazz drum kit. Eugene Bertram Krupa was born in Chicago in 1909; he began learning the saxophone at age six but switched to drums five years later because they were the ...
read more
Jazz Musician of the Day: Gene Krupa
Source:
Michael Ricci
All About Jazz is celebrating Gene Krupa's birthday today!
Gene Krupa was easily one of the most colorful personalities of the big band era. Despite his outrageous stage persona, Krupa was a serious and disciplined musician whose vision changed the role of drummer forever and who helped standardize the jazz drum kit. Eugene Bertram Krupa was born in Chicago in 1909; he began learning the saxophone at age six but switched to drums five years later because they were the ...
read more
Jazz Musician of the Day: Gene Krupa
Source:
Michael Ricci
All About Jazz is celebrating Gene Krupa's birthday today!
Gene Krupa was easily one of the most colorful personalities of the big band era. Despite his outrageous stage persona, Krupa was a serious and disciplined musician whose vision changed the role of drummer forever and who helped standardize the jazz drum kit. Eugene Bertram Krupa was born in Chicago in 1909; he began learning the saxophone at age six but switched to drums five years later because they were the ...
read more