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George Shearing
George Shearing enjoys an international reputation as a pianist, arranger and composer. Equally at home on the concert stage as in jazz clubs, Shearing is recognized for inventive, orchestrated jazz. He has written over 300 compositions, including the classic “Lullaby of Birdland,” which has become a jazz standard.
Shearing was born in 1919 in the Battersea area of London. Congenitally blind, he was the youngest of nine children. His father delivered coal and his mother cleaned trains at night after caring for the children during the day. His only formal musical education consisted of four years of study at the Linden Lodge School for the Blind. While his talent won him a number of university scholarships, he was forced to refuse them in favor of a more financially productive pursuit…playing piano in a neighborhood pub for the handsome salary of $5 a week! Shearing joined an all-blind band in the 1930’s. At that time he developed a friendship with the noted jazz critic and author, Leonard Feather. Through this contact, he made his first appearance on BBC radio.
In 1947, Mr. Shearing moved to America, where he spent two years establishing his fame on this side of the Atlantic. The Shearing Sound commanded national attention when, in 1949, he gathered a quintet to record “September in the Rain” for MGM. The record was an overnight success and sold 900,000 copies. His U.S. reputation was permanently established when he was booked into Birdland, the legendary jazz spot in New York. Since then, he has become one of the country’s most popular performing and recording artist. In 1982 and 1983 he won Grammy Awards with recordings he made with Mel Torme. Mr. Shearing was the subject of an hour-long television documentary entitled “The Shearing Touch” presented on the Southbank Show with Melvyn Bragg on ITV in the UK. Three presidents have invited Mr. Shearing to play at the White House.. Ford, Carter and Reagan. He performed at the Royal Command Performance for Queen Elizabeth II and Prince Philip. He is a member of the Friars Club and the Lotos Club in New York and the Bohemian Club in San Francisco.
His awards and honors are many. In May 1975, he received an honorary degree of Doctor of Music from Westminster College in Salt Lake City. In May of 1994, Hamilton College in upstate New York awarded him another honorary doctorate in music. DePauw University in Greencastle, Indiana presented him with an honorary doctorate of music on June 1, 2002. He received the prestigious Horatio Alger Award for Distinguished Americans in 1978 and a community recreational facility in Battersea, south London, was named the George Shearing Centre in his honor. In May of 1993, he was presented with the British equivalent of the Grammy…the Ivor Novello Award for Lifetime Achievement. In June of 1996, Mr. Shearing was included in the Queen’s Birthday Honors List and on November 26, 1996 he was invested by Queen Elizabeth II at Buckingham Palace as an Officer of the Order of the British Empire for his “service to music and Anglo-US relations.” He was presented the first American Music Award by the National Arts Club, New York City, in March of 1998.
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A Slice of the Jazz Life, Part 1
by Monk Rowe
The life of a jazz musician is never boring. George Shearing, Marian McPartland, Terry Gibbs and Milt Hinton regale us with behind-the-scenes scenarios both poignant and absurd. ...
Continue ReadingGeorge Shearing Centennial, Woodstock turns 50 and the Charlie Parker Festival
by Mary Foster Conklin
The celebration of 1969 continued in this broadcast, which included new releases from vocalists Nicholas Bearde, The New York Voices and Quiana Lynell, pianist Alberto Pibiri & the Al Peppers, plus a special Woodstock tribute by Erik Applegate & Time Child, with birthday shout outs to Pat Metheny in the first hour, Mary Stallings (80!) and George Shearing in the third hour (100!), and Bill Evans in the final hour, among others. As always, a preview of who played in ...
Continue ReadingAugust Birthdays, including the George Shearing Centennial
by Marc Cohn
August jazz birthdays this week on Gifts and Messages. We feature pianist George Shearing for his 100th birthday, along with Louis Armstrong, Charlie Parker (2020 is the Bird centennial. Are you ready?), Count Basie and Lester Young. Among the living we give thanks for Pat Metheny, Wayne Shorter, Cecile McLorin-Salvant and Branford Marsalis. And there are singers Eddie Jefferson and Jimmy Rushing, reedmen Rahsaan Roland Kirk and Benny Carter (at the Savoy Ballroom), pianist Oscar Peterson and trumpeter Bill Coleman. ...
Continue ReadingGeorge Shearing: George Shearing at Home
by C. Michael Bailey
Pianist Sir George Shearing (1919--2011) was himself an integral part of the be bop jazz movement in the late 1940s. His quintet that featured vibraphone and guitar with the standard piano trio was sonically ground breaking. His precise and measured piano style influenced a generation of pianists and several of his compositions ("Lullaby of Birdland" and Conception") have become jazz standards. He was not flashy, but a solid, well-considered player whose playing could always be counted on to be elegant ...
Continue ReadingGeorge Shearing Quintet
by Douglas Payne
The great pianist George Shearing (1919-2011) helmed a classic jazz quintet from 1949 through 1978. The best of these recordings were made while Shearing was contracted with Capitol between 1955 and 1969. Here is a sample of the finest of the George Shearing Quintet's recordings. TrackNameTimeArtistAlbum1 Strange2:53George ShearingThe Shearing Spell-Velvet Carpet2 Yesterdays3:14George ShearingThe Shearing Spell-Velvet Carpet3 Out Of This World3:21George ShearingThe Shearing Spell-Velvet Carpet4 Cuban Fantasy2:28George ShearingThe Shearing Spell-Velvet Carpet5 'Round Midnight3:01George ShearingThe Shearing Spell-Velvet Carpet6 If ...
Continue ReadingGeorge Shearing: Like Fine Wine
by Ken Hohman
George Shearing has never been one to be accused of playing too loud. His urbane sound of piano, vibraphone and guitar playing in unison made his records some of the most popular jazz albums of the '50s and '60s. But for those who acquired a taste for his brand of jazz, there was much beauty to be discovered beneath the genteel swing of The Shearing Spell." And that is much the case for Like Fine Wine.
Performed in a sympathetic ...
Continue ReadingGeorge Shearing: Like Fine Wine
by Franz A. Matzner
George Shearing's latest release, Like Fine Wine, presents the renowned pianist/composer in a trio setting performing a series of-sadly-quite tired standards. Certainly, Shearing's abilities are in evidence, shinning through at odd moments throughout the course of the album, but the pieces are taken at such a meandering pace, and have been aged to such a mellow quality, that the resulting interpretations slip dangerously close to the smooth jazz versions, with the most egregious takes sounding almost like ...
Continue ReadingPerfection: George Shearing - I'll Be Around, 1951
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JazzWax by Marc Myers
As you can see, I'm still hooked on I'll Be Around, one of composer Alec Wilder's best songs. He reportedly wrote the music in 10 minutes while riding in a cab in Baltimore. But the words took much longer," he said in an interview before his death in 1980. Recorded first by Cab Calloway, then by Eugenie Baird with Tony Pastor and after by the Mills Brothers, who made it a huge hit, I'll Be Around was a huge seller ...
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George Shearing: Late '60s
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JazzWax by Marc Myers
So much of George Shearing's extensive Capitol catalog is disappointing. I'm not complaining about Shearing's playing, which was mostly lively and thoughtful. Rather, it's the unevenness of his individual albums during this period and from one album to the next. It's almost as if the suits at Capitol had no clue what sounded good and what sounded lousy. For example, Burnished Brass in 1958 is good while Satin Brass, which came next in '59, is an auto accident of blaring ...
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Jazz Musician of the Day: George Shearing
Source:
Michael Ricci
All About Jazz is celebrating George Shearing's birthday today!
George Shearing enjoys an international reputation as a pianist, arranger and composer. Equally at home on the concert stage as in jazz clubs, Shearing is recognized for inventive, orchestrated jazz. He has written over 300 compositions, including the classic “Lullaby of Birdland,” which has become a jazz standard. Shearing was born in 1919 in the Battersea area of London. Congenitally blind, he was the youngest of nine children... Read more.
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Jazz Musician of the Day: George Shearing
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All About Jazz is celebrating George Shearing's birthday today!
George Shearing enjoys an international reputation as a pianist, arranger and composer. Equally at home on the concert stage as in jazz clubs, Shearing is recognized for inventive, orchestrated jazz. He has written over 300 compositions, including the classic “Lullaby of Birdland,” which has become a jazz standard. Shearing was born in 1919 in the Battersea area of London. Congenitally blind, he was the youngest of nine children...George Shearing enjoys an ...
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George Shearing "Bossa Nova"
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Sound Insights by Doug Payne
The Japanese branch of EMI Toshiba has just issued 50 budget-priced CDs as part of its Jazz 999 Best & More" series, including the tremendous George Shearing Bossa Nova, the late pianist's lovely 1963 album, his first such experiment in the Brazilian fad that swept the Western world in the early half of the 1960s. Caught up in the Bossa Nova craze that swept through jazz and popular music in the early 1960s, pianist George Shearing makesperhapsthe first of his ...
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The George Shearing Quintet: All About Jazz Playlist
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Sound Insights by Doug Payne
All About Jazz's My iTunes Playlists are designed to help music lovers compile their own best of" iPod playlists or CDR compilations. Here is the playlist I constructed to help introduce new listeners to what I consider to be the best of the classic George Shearing Quintet's best available recordings. The great pianist George Shearing (1919-2011) helmed a classic jazz quintet from 1949 through 1978. The best of these recordings were made while Shearing was contracted with Capitol between 1955 ...
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George Shearing: Both Good and Popular
Source:
AAJ Staff
George Shearing, who died on Monday, was a great jazz pianist. For much of his long lifetime, he was also one of the 20th century's most successful entertainers, a purveyor of supersmooth easy-listening music that was distinguishable from Muzak only because he played it with perfect taste. That was part of what made him so admirable an artist: Even when he was making music for the masses, he did it without a hint of condescension. Mr. Shearing, who was born ...
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George Shearing and Latin Jazz: More Than a Footnote
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The Latin Jazz Corner by Chip Boaz
Pianist George Shearing died this past Monday February 14, 2011 due to heart failure, invoking an honest outpouring of love for his work and a resurgence of attention upon his impressive career. Shearing enjoyed immense popularity throughout his career, finding a balance between artistry and public appeal. His quintet that fueled his work throughout the fifties and sixties was a major attraction in the jazz world, taking his performances around the world. During the seventies, his collaborations with artists such ...
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George Shearing - R.I.P.
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Sound Insights by Doug Payne
The great pianist George Shearing died earlier today in Manhattan of congestive heart failure. The British born pianist turned 91 on August 13 and had been retired from music for several years, his last album being the lovely trio outing Like Fine Wine (Mack Avenue, 2005). Shearing made his name with a quintet that became one of the most famed and popular sounds of 1950s jazz but also wrote hundreds of compositions of which, surprisingly, only Lullaby of Birdland" endures ...
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George Shearing Quintet with Nancy Wilson - The Swingin's Mutual (1961)
Source:
Something Else!
By Nick DeRiso One of the smartest things Nancy Wilson ever did was start singing at the Blue Morocco in New York City, just after she blew in from Columbus, Ohio. In was there, while Wilson still had her day job, that John Levy caught this smoking-hot 20-something's act. Levy, once a bassist with George Shearing, went on to manage his former boss, as well as Julian Cannonball" Adderley andafter that nightMs. Wilson. The Swingin's Mutual would become the first ...
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