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Ike Levin
Ike Levin has been playing reed instruments professionally for over 40 years. A native of Chicago, Illinois, Ike was an active performer in the windy city’s vibrant jazz, blues, and new music scene before relocating to the San Francisco Bay area in the late 80s. Ike now resides in Portland, Oregon. While in Chicago, Ike studied music composition at the Roosevelt University Conservatory of Music and in the Jazz Studies program at the University of Illinois at Chicago. While a student, Ike performed as a regular member of the University of Illinois Jazz Orchestra and sat in with the Jazz Members Big Bandcomprised of many of the Chicago area’s top jazz musicians who used the Band as a forum for original arrangements and experimental compositions. Ike studied privately with legendary jazz saxophone master Joe Daley who helped him develop his technique and establish his neo-bop foundations.
Ike also studied with Fred Anderson, one of the co-founders of the Chicago based avant-garde jazz organization Association for the Advancement of Creative Music (AACM). Under the tutelage of Fred Anderson Ike began to explore new musical frontiers for his improvisational work unencumbered by harmonic structures and strict time meter. As he tells it, “At first, I thought Fred was going to get me into abstract concepts of the music, but initially we used to play Charlie Parker heads over and over again together. He was getting me into Bird’s amazing concept of phrasing which is the foundation of all improvisational work.” However, his real development as a jazz musician came from listening and occasionally sitting in with the many great jazz artists who came through Chicago’s jazz clubs during the 70’s and early 80’s. Whether its “straight ahead” or freer forms of jazz, Ike is never content to rely on clichés or simply replicate past musical phrases. Instead, he is always searching for new musical ideas and sounds all the while focusing on keeping the music swinging.
Ike’s orientation to his instruments and approach to jazz improvisation has had a multitude of influences. Some of his major influences include the saxophonists John Coltrane, Eric Dolphy, Jimmy Lyons, Sonny Rollins, Dexter Gordon, Fred Anderson, Kidd Jordan, Sam Rivers, and Albert Ayler. The music of Thelonious Monk, Charles Mingus, and William Parker have also influenced his approach and concept of improvisation. Additionally, Ike identifies such 20th century composers as Bartok, Perdercki, and Boulez as influencing the way he conceives of musical composition and tonality.
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Ike Levin: Composing In the Moment
by Taran Singh
Multi-reed player Ike Levin is an active contributor to the vibrant San Francisco Bay Area creative music scene and performs around North America with a variety of different improvisational music ensembles. Levin is also one of the founders of the independent music label Charles Lester Music which is dedicated to documenting spontaneous in-the-moment music. All About Jazz's Taran Singh caught up with Levin to talk about his music, the Bay Area scene and what's on the horizon.
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Continue Reading"Simone" Simone and Ike Levin interviewed at AAJ
Source:
All About Jazz
While not the household name of her mother Nina, Simone" Simone has been gradually establishing herself as a singer who continues the legacy of her sadly-deceased mother without losing sight of her own voice.
With a couple of gigs coming up in the near future in the Philadelphia area, AAJ correspondent Victor L. Schermer took some time to speak with Simone" about her mother's work and, of course, her own. Read the interview here.
Also published today is Taran Singh's ...
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" Ike's music answers to a higher order where originality is the sole driving force." Cadence
“A new saxophone voice…free form phrases erupt only to be calmed by gentle currents of melodiousness.” Jazz Review
“A robust tone complete with soulful phrases and shrewd utilization of space.” All About Jazz
“An exceptional unheralded saxophonist with fresh ideas and powerful emotionality.” Jazz Times
"Levin plays a big toned tenor in the Coltrane school although he combines jagged phrases with lyricism."