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Jason Rigby
Jason Rigby is an assured New York-based musician whose jazz mixes conventional and “outside” improvisation in stirring fashion. His recent release “Translucent Space” (Fresh Sound Records), is garnering rave reviews and applause, putting Rigby’s name firmly on the map of New York’s creative music scene. Rigby’s individuated saxophone tone and improvisational approach draw inspiration from such jazz pantheon figures as John Coltrane, Joe Henderson and Dewey Redman, and he has been described as displaying “a brilliant virtuosity & flexibility while handling some very complex harmonic lines & intervals.” (George W. Carroll, The Musician’s Ombudsman, May 06) As an impressive composer meriting wider recognition, Rigby has developed his compositional style after having listened long and hard to primary compositional influences Wayne Shorter, Philip Glass, Ornette Coleman, and classical greats Mahler, Bartok and Shostakovich. Originally from Cleveland, OH, his formal music studies were done at Youngstown State University in Ohio, DePaul University in Chicago and the Manhattan School of Music. Rigby has studied saxophone and composition privately with Dick Oatts, Mike Abene and Rich Perry and was voted “Best College Jazz Instrumentalist” by DownBeat magazine in 1999. Just 32-years-old, Rigby is active on the New York jazz scene. Career highlights so far include working with the Village Vanguard Jazz Orchestra; playing in Aretha Franklin’s band at Radio City Music Hall; and participating in a Cameron Brown-helmed project concerning Don Cherry jazz from the mid-‘60s. Rigby’s also a regular sideman with the Scott Dubois Quintet and at times with Mike Holober’s Gotham Jazz Orchestra, the Kris Davis Group and Eivind Opsvik’s Overseas, and the list of colleagues with whom he has performed only starts with notables David Leibman and Tony Malaby. He has taught at the New School (NYC), City College of NY and Stony Brook University and maintains a private jazz saxophone studio in NYC.
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Mike Holober & the Gotham City Orchestra: This Rock We're On: Imaginary Letters
by Angelo Leonardi
Dopo gli ultimi superlativi album orchestrali (Balancing Act, Palmetto 2015 e Hiding Out, Zoho 2019) la nuova incisione di Mike Holober con la Gotham Jazz Orchestra non dovrebbe stupirci, eppure questo doppio album ci ha nuovamente colpito. L'aggiunta di Chris Potter, John Patitucci, Nir Felder e della cantante brasiliana Jamile Staevie Ayres all'orchestra rende infatti il progetto quanto mai esaltante. Questi nomi completano un organico già nutrito di solisti ragguardevoli come Marvin Stamm e Scott Wendholt alle trombe, ...
Continue ReadingJihye Lee Orchestra: Infinite Connections
by Jack Bowers
Some eighty-odd years ago a handful of trailblazers led by saxophonist Charlie Parker and trumpeter Dizzy Gillespie changed the vocabulary of jazz, introducing bebop as a successor to trad jazz and swing and radically transforming the music's landscape and perspective. Their terminology remained pretty much intact for a number of years, with partisans choosing a path between the diverse genres, until at last the very definition of jazz began to move in new directions with newcomers such as cool jazz, ...
Continue ReadingMike Holober: This Rock We're On: Imaginary Letters
by Dan McClenaghan
We live on a rock. A few billion years of the workings of the complexities of carbon chemistry put us here. The systems and intricacies of every element that has unfolded to maintain us should be respected and preserved. Mike Holober's This Rock We're On: Imaginary Letters, featuring Holober and his Gotham Jazz Orchestra, digs into this theme in a sprawling, two-disc big band jazz outing. Like life itself, and the resulting ecosystems, this multi-movement suite--an effort that is the ...
Continue ReadingJihye Lee Orchestra: Infinite Connections
by Angelo Leonardi
Su queste pagine abbiamo seguito il percorso discografico di Jihye Lee a partire dal suo esordio (April, 2017) ed il successivo Daring Mind (Motéma 2021), co-prodotto con Darcy James Argue. La collaborazione con quest'ultimo si ripropone anche nel nuovo Infinite Connections, registrato nell'ottobre 2023, che evidenzia un significativo passo avanti nella sua sintesi tra jazz e proprie radici musicali. Che la bandleader fosse un talento eccezionale è apparso chiaro dalla rapidità con cui ha padroneggiato le tecniche ...
Continue ReadingJihye Lee Orchestra: Infinite Connections
by Troy Dostert
One of the most ambitious composers working exclusively in the large-ensemble format, Jihye Lee is now offering her third release, coming on the heels of the well-received April (Self-released, 2017) and Daring Mind (Motéma Music, 2021). Lee is a fearless artist with a seemingly limitless imagination, with a multiplicity of themes and rhythms swirling through her complex, densely-layered compositions. And as always, she once again has a terrific group of colleagues to help bring her rich, multi-hued vision to life. ...
Continue ReadingChristopher Zuar Orchestra: Exuberance
by Katchie Cartwright
Exuberance is part of a long-form tonal conversation" between two award-winning artists in complementary fields, composer Christopher Zuar and animator Anne Beal. Zuar, a Long Island New Yorker, describes the work as a journey of personal growth," which began in 2017 when he and Beal met as fellows at the MacDowell Colony in the woods of New Hampshire. He explains that the album is a collaborative project that charts the last seven years of our lives." In Winter ...
Continue ReadingMiho Hazama M_Unit: Beyond Orbits
by Angelo Leonardi
Uno degli eventi al Monterey Jazz Festival del 2021 è stato il concerto dell'M_Unit di Miho Hazama, la giovane compositrice e bandleader giapponese che s'è imposta tra le figure più innovative della sua generazione. In quell'occasione Hazama ha presentato la suite in tre movimenti Exoplanet" che--incisa poi in studio--costituisce il fulcro del disco appena pubblicato dalla Edition Records. Chi conosce i suoi lavori di questi anni, sa quanto la scrittura della bandleader risulti coinvolgente per l'abilità di ...
Continue ReadingIn-Demand Bassist Matt Aronoff Celebrates His Debut Album Featuring Performances By Jason Rigby, Yago Vazquez, And Henry Cole
Source:
AMT Public Relations
Known for being, “greatly sensitive, with huge ears and a feel for accompaniment (All About Jazz),” bassist/composer Matt Aronoff celebrates his leap from sideman to bandleader in his debut album Morning Song (TBR 06.03.22). Recorded in 2018 in front of a live audience at The Nest, Morning Song serves as the culmination of Aronoff’s weekly, late-night jam session in Brooklyn. A highly sought-after acoustic and electric bassist, Aronoff is joined by some of today’s most compelling voices: saxophonist Jason Rigby, ...
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"Rigby is strong and confident, but he also allows risk-taking, moving comfortably out of the mainstream into freer territories. Given this stellar debut, it will be quite interesting to see where Rigby's musical ventures will lead next." - Mark F. Turner, AllAboutJazz "...the strength of Translucent Space lies in its coherence, intellect and accessibility—making it one of the year’s most remarkable debuts." - John Kelman, AllAboutJazz "Rigby's burly tenor tone and searching improvisations recall the expressionistic flights of Ornette Coleman and Joe Henderson." - John Murph, DownBeat "Rigby flirts with the same stratospheric heights Wayne Shorter explored with Miles." - J Hunter, AllAboutJazz "...the saxophonist's quintet sustains a daunting finesse while swinging full tilt on the new The Sage." - Jim Macnie, The Village Voice "Jason Rigby is a bold adventurous composer and saxophonist." - Jerry D'Souza, AllAboutJazz "He blends styles artfully and gives them a tangent and direction that are out of the ordinary and, in doing so, he brings in a perspective that is as exciting as it is satisfying." - Jerry D'Souza, AllAboutJazz "Translucent Space (Fresh Sound-New Talent), the new album by the saxophonist and bass clarinetist Jason Rigby, doesn't come by its name casually; it's an album of airy, often diaphanous music, with faint echoes of early fusion and Third Stream." - Nate Chinen, NY Times "A robust tenor/soprano stylist in the classic Post-War mold of John Coltrane and Wayne Shorter, Rigby also embraces the harmonically unfettered lyricism of Ornette Coleman
Primary Instrument
Saxophone, tenor
Willing to teach
Advanced only
Yuto Mitomi
saxophone, tenorPhotos
Music
Lay of the Land
From: This Rock We're On: Imaginary...By Jason Rigby
In Winter Blooms
From: ExuberanceBy Jason Rigby
Twenty Twenty
From: Songs, Hymns And Ballads Volume...By Jason Rigby
Compelled
From: Hiding OutBy Jason Rigby
When There Were Trains
From: Balancing ActBy Jason Rigby