Home » Jazz Musicians » Jimmy Owens
Jimmy Owens
At three years of age, Jimmy loved to listen to Jazz. As he tells it, “I’d choose a 78 from my father’s Jazz collection and play it on the Victrola.
A particular favorite of mine was a picture record of Charlie Shavers performing “She’s Funny That Way” on one side and “Dizzy’s Dilemma” on the other side. Or I’d choose Duke Ellington’s “Stompy Jones” or “Tulip or Turnip.” Then my father would scoop me up in his arms and we’d dance! The best part, though, was seeing the reflection of me dancing with my daddy in the living room mirror. It was a great feeling.”
At fifteen, Donald Byrd, his mentor, arranged for Jimmy to audition for a place in the Newport Youth Band. The band was sponsored by the Newport Jazz Festival that was founded by George Wein, and its musical director was Marshall Brown, one of the first Jazz educators in America. Being invited to join the band was an important step in Jimmy’s musical development. He not only learned how to interpret and read music, it gave him an opportunity to perform music composed by many of the top Jazz arrangers. Other members of the band at this time were bassist Eddie Gomez, pianist Mike Abene, baritone saxophonist Ronnie Cuber and drummer and GRP Record Company founder Larry Rosen.
By the age of twenty-five, Jimmy had been a sideman with Lionel Hampton, Hank Crawford, Charles Mingus, Herbie Mann and Duke Ellington. As Jimmy continued to expand his musical horizons, he participated in different performing experiences, such as television, studio work and orchestral work. Between 1969 and 1972, he worked on the David Frost TV Show with Billy Taylor, the musical director. Also in 1969, he increased his European performances and education workshops throughout the world.
However, Jimmy was restless�"he wanted to start passing along what he had learned. Donald Byrd had instilled in him the importance of understanding the concepts of education and having knowledge of the business of music. Jimmy wanted to incorporate these concepts, together with his own musical experience and knowledge, to teach students how to become successful musicians. As he tells it, “it’s not only about playing music, it’s about knowing how to market oneself for performances and how to put together a group that is able to communicate with the audience. It all adds up to one’s total musicianship, and there’s a lot of work behind that.”
Read moreTags
Archie Shepp: The Way Ahead, Kwanza, The Magic of Ju-ju Revisited
by Stefano Merighi
In questa compilation dedicata ad un periodo importante di Archie Shepp, si dovrebbe iniziare l'ascolto dalla fine. Infatti, i quasi venti minuti di The Magic of Ju-Ju," posti in chiusura del CD, sono dell'aprile 1967; il resto del repertorio è invece stato inciso nel biennio successivo. Pur non riuscendo a comprendere il criterio con cui si assemblano questi cataloghi sonori, è indubbiamente utile comparare alcuni lavori vicini eppure assai differenti di un autore come Shepp, all'epoca sugli scudi ...
Continue ReadingHeiner Stadler: Brains on Fire
by Howard Mandel
Brains on Fire fuels reflection on the past and response in the present. These eight extraordinary extended tracks, recorded in unusual conjunctions of master jazz improvisers instigated by composer/pianist Heiner Stadler for sessions held from 1966 through 1974, are alive with the passions of that era celebrating large, original works stretching the bounds of even the most ambitious music come before. As Stadler and his cadre of fully collaborative, creative interpreters brought immense smarts, skills and sensibilities besides ...
Continue ReadingArchie Shepp: The Way Ahead, Kwanza, The Magic Of Ju-Ju Revisited
by Mark Corroto
Allow me to expand on a much restated quote from Albert Ayler: Coltrane was The Father, Pharoah was The Son, and I was... The Holy Ghost." If we remain with the Christian iconography, that makes Archie Shepp, Simon Peter, or the Apostle Peter whom Jesus called the rock upon which he built his church. Christened by his tenure in the early 1960s with Cecil Taylor, Shepp was baptized into what we now call a modernist approach. In meeting Coltrane, a ...
Continue ReadingArchie Shepp: The Way Ahead, Kwanza, The Magic Of Ju-ju Revisited
by Chris May
2023 kicks off with the bangingest back-in-the-day bang from the Swiss-based ezz-thetics label, whose carefully curated and remastered 1960s sessions from Archie Shepp, Horace Silver, John Coltrane and Albert Ayler lit up the reissue calendar in 2022. Shepp's The Way Ahead, Kwanza, The Magic Of Ju-ju Revisited comes in at a whisker over seventy-nine minutes and includes all four tracks from The Way Ahead (Impulse!, 1968), two tracks from Kwanza (Impulse!, recorded 1969, released 1974) and the ...
Continue ReadingHeiner Stadler: Brains on Fire
by AAJ Italy Staff
Heiner Stadler è nome pressoché sconosciuto se non agli addetti ai lavori o a qualche curioso appassionato jazzofilo. Nasce nel 1942 a Lessen in Polonia, cresce ad Amburgo dove studia pianoforte, armonia e composizione al conservatorio, per poi trasferirsi nel 1965 a New York. Qui intesse una serie di relazioni con importanti musicisti dal background assai variegato (si va sa Benny Golson a Barre Phillips, da Joe Chambers a John Gilmore e Joe Farrell, da Dee Dee Bridgewater a Thad ...
Continue ReadingJimmy Owens: The Monk Project
by Hrayr Attarian
Who better to pay homage to one of the musical geniuses of the 20th century than seven of today's most idiosyncratic artists? The septet is lead by Jimmy Owens, who is known for his versatility in settings as diverse as swing bands and avant-garde ensembles; most notably, for this undertaking, he organized a concert of Thelonious Monk music at Carnegie Hall in 1974 that featured the legendary pianist himself. Although The Monk Project features nine of the ...
Continue ReadingHeiner Stadler: Brains on Fire
by Hrayr Attarian
Heiner StadlerBrains on FireLabor Records2012One of the most exciting reissues of the first quarter of 2012 is composer and pianist Heiner Stadler's pioneering Brains on Fire, originally released in 1973. The two-CD reissue adds three lengthy, previously unreleased tracks and informative and well-researched liner notes by critic Howard Mandel. Interestingly, Stadler occupies the piano chair only on five of the eight pieces, recorded over a seven-year span in a ...
Continue ReadingJimmy Owens - The Monk Project (2012)
Source:
Something Else!
I was struck, time and again, by the considered, almost slow-motion attention to detail here, as trumpeter Jimmy Owens and Co. tease out every blues-soaked nuance from the oft-heard music of Thelonious Monk. It's easy to focus on the brilliant convolutions of his music, the blind-alley syncopations and the turbulent chord changes. But there was real grit, and no small amount of beauty, to the tortured pianist's worksomething that The Monk Project brilliantly underscores. Owens downshifts the familiar boppish standard ...
read more
Jimmy Owens: The Monk Project (IPO Recordings) Available January 3, 2012
Source:
Jim Eigo, Jazz Promo Services
Jimmy OwensTrumpet, Flugelhorn, Wycliffe GordonTrombone, Marcus StricklandTenor Saxophone, Howard JohnsonTuba, Baritone, Saxophone, Kenny BarronPiano, Kenny DavisBass, Winard HarperDrums NEA Jazz Master Jimmy Owens' debut as a leader on IPO features the legendary trumpeter/flugelhornist leading a stellar septet on a program of his own uniquely original arrangements of Thelonious Monk compositions that are deeply steeped in the feeling of the blues. Owens, who has been heard on countless big band and small group recordings as a virtuoso sidemanincluding exemplary work on ...
read more
Jimmy Owens' "The Monk Project" Street Date January 3, 2012
Source:
Chris M. Slawecki
NEA Jazz Master Jimmy Owens' debut as a leader on IPO features the legendary trumpeter/flugelhornist leading a stellar septet on a program of his own uniquely original arrangements of Thelonious Monk compositions that are deeply steeped in the feeling of the blues. Owens, who has been heard on countless big band and small group recordings as a virtuoso sidemanincluding exemplary work on IPO's One More: Music of Thad Jones, Summary, Music of Thad Jones Vol 2 and With Malice Toward ...
read more
Jimmy Owens and the New School for Jazz and Contemporary Musics Improvisation Ensemble to Perform at Dizzy's Club Coca Cola
Source:
All About Jazz
December 15, 2008, Sets at 7:30 and 9:30 p.m. NEW YORK, NY - The New School for Jazz and Contemporary Musics Improvisation Ensemble presents a tribute to Dizzzy Gillespie and Tom McIntosh under the direction of Jimmy Owen with special guest Wycliffe Gordon on trombone on Monday, December 15, at Dizzys Club Coca Cola at Lincoln Center, with sets at 7:30 and 9:30 p.m. A Jazz faculty member, Jimmy Owens has over 45 years of experience as a jazz trumpeter, ...
read more
Rob Scheps performs with Jimmy Owens & Mike Longo in New York Oct. 18
Source:
All About Jazz