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John Escreet
Over the course of his career, John Escreet has earned a reputation as one of the most active and diverse pianist/composers working in jazz and improvised music. His prolific output is reflected over the course of 6 diverse and critically acclaimed albums - the most recent being Sound, Space and Structures which partners his working Trio (with John Hébert on bass and Tyshawn Sorey on drums) with the iconic free-jazz saxophonist Evan Parker.
Bursting on to the scene with his 2008 debut album Consequences, Escreet quickly earned a reputation as one of the most exciting new pianist/composers to have emerged in recent years, with Downbeat magazine proclaiming “John Escreet’s recent debut Consequences signals the jumpstart of a new voice in jazz." Similar praise followed for his 2010 sophomore release Don’t Fight The Inevitable, of which the New York Times’ Ben Ratliff said “… on an ambitious second album, the pianist John Escreet seems to be thinking about where jazz can go next. He’s using lots of structure and instrumental texture, cruising through different languages, straight-ahead and free and in between; it’s like a tour of the last 25 years of serious jazz." 2011 saw two releases - The Age We Live In, and Exception To The Rule, followed by 2013’s Sabotage and Celebration, all of which received widespread international critical acclaim. The latest addition to this impressive catalog is 2014's Sound, Space and Structures.
As well as being a leader of prolific output, Escreet is also a much sought-after sideman. He has toured extensively with Antonio Sanchez’s Migration band, recording on his 2013 Cam Jazz release New Life. He has also contributed his pianistic skills to the working bands of David Binney, Amir ElSaffar, Tyshawn Sorey, and Jamie Baum among many others.
In 2009, John was a recipient of the prestigious Chamber Music America New Jazz Works Grant, as well as the CMA/ASCAP Award for Adventurous Programming in 2011. In 2013, Escreet was commissioned by the Jazz Gallery to write a new work as part of their Residency/Commissions for 2012-2013, for which he wrote an extended work for string quartet and piano trio. 2014 saw John being awarded the Mid Atlantic Arts Foundation USArtists International grant to tour with his Quartet, and recently in 2015 he was elected an Associate of the Royal Academy of Music (ARAM), his Alma Mater - awarded to past students who have distinguished themselves in the music profession and made a significant contribution to it in their particular field.
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John Escreet: The Epicenter Of Your Dreams
by Vincenzo Roggero
Il trio base è quello che nel 2022 licenziò il notevole Seismic Shift, ossia John Escreet al pianoforte, Eric Revis al contrabbasso, Damion Reid alla batteria. Per la realizzazione di Epicenter of Your Dreams la formazione si allarga a quartetto con l'aggiunta del sassofonista Mark Turner. Insomma una formazione di grande prestigio che curiosamente presenta musicisti nati a Los Angeles, cresciuti professionalmente a New York, e ritornati a L.A., con la parziale anomalia del britannico Escreet, che comunque ...
Continue ReadingJohn Escreet, Hyeseon Hong, Altus and Nicole Glover
by Hobart Taylor
Outstanding new music from pianist, John Escreet joined by saxophonist, Mark Turner, Hyeseon Hong's innovative arrangements for her large ensemble, brilliant collaboration from Altus celebrating the confluence of Greek and African myths, and Esperanza Spalding's acerbic take on deforestation in Brazil. Playlist Hyeseon Hong Night Climbing" from Things Will Pass (Pacific Coast Jazz) 0:00 Louis Hayes A Flower Is A Lovesome Thing" from Artform Revisited (Savant) 6:15 Andy James Let's Talk Of Love" from Let Me See Your ...
Continue ReadingJohn Escreet, David Murray and Stan Tracey
by Jerome Wilson
This show features newer work by John Escreet, David Murray, and Stephan Crump as well as older music from Stan Tracey, Ed Palermo, and the Webber/Morris Big Band. Playlist Henry Threadgill Sextett I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaiz) 00:00 Brad Mehldau ... maybe as his skies are wide... from Jacob's Ladder (Nonesuch) 1:00 Stan Tracey Principal Centre Stage" from Waiting In The Wings ...
Continue ReadingAlex Sipiagin: Horizons
by Nicholas F. Mondello
Trumpeter Alex Sipiagin has always been a deeply devoted musical explorer. From early bop origins to more modern forays, he has ventured far and wide, developing both improvisationally and compositionally. With Horizons this fine artist continues his path, delivering--along with frequent sidekick Chris Potter and a superior rhythm section--yet another breakthrough album. It is possibly Sipiagin's most explorative and best ever. While You Weren't Looking," one of two selections gifted to the album by Pat Metheny, launches ...
Continue ReadingJohn Escreet: Departure No. 1
by John Chacona
When you first listen to Departure No. 1," from John Escreet's The epicenter of your dreams (Blue Room Music, 2024), you might well ask, Who wrote that? At once familiar but tantalizingly hard to pin down, the composition sounds like a Bud Powell tune or maybe an undiscovered Herbie Nichols gem, perhaps in an edition by Jaki Byard. Nope. It's by Stanley Cowell, a pianist/composer who matches those luminaries for brilliance and singularity. The Yorkshire-born Angeleno pianist, bassist Eric Revis ...
Continue ReadingBill Evans, John Escreet, David Garfield and John Pena
by Len Davis
New releases: Jermaine Hall, DarWin, Roman Bondarenko and Argentinian band A 18. John Escreet, Bill Evans Sax with Victor Wooten. David Garfield, John Pena and Michiel Stekelenburg. Plus the new one from Gavin Harrison and Antoine Fafard. Playlist Jermaine Hall Keep Left" from Ideology (Self Produced) 00:00 DarWin The Sun" from Steps On The Sun (Phantom) 06:01 Roman Bondarenko H.E.Z" from Shades Of Style (Self Produced) 12:07 A 18 Minutos A dieciocho minutos del sol" from A 18 ...
Continue ReadingJohn Escreet: The Epicenter Of Your Dreams
by Mark Corroto
There is that image from one of Sergio Leone's spaghetti Western films where three gunfighters stand in the dusty town center, guns drawn, waiting for someone to flinch. That depiction of the Old West is somewhat appropriate as the UK-born pianist, John Escreet, who was based in New York for nearly a decade, moved to Los Angeles. He traded his NY trio of John Hébert and Tyshawn Sorey for the L.A. gunfighters bassist Eric Revis and drummer Damion Reid. The ...
Continue ReadingJazz Musician of the Day: John Escreet
Source:
Michael Ricci
All About Jazz is celebrating John Escreet's birthday today!
Over the course of his career, John Escreet has earned a reputation as one of the most active and diverse pianist/composers working in jazz and improvised music. His prolific output is reflected over the course of 6 diverse and critically acclaimed albums- the most recent being Sound, Space and Structures which partners his working Trio (with John Hébert on bass and Tyshawn Sorey on drums) with the iconic free-jazz saxophonist Evan ...
read more
Jazz Musician of the Day: John Escreet
Source:
Michael Ricci
All About Jazz is celebrating John Escreet's birthday today!
Over the course of his career, John Escreet has earned a reputation as one of the most active and diverse pianist/composers working in jazz and improvised music. His prolific output is reflected over the course of 6 diverse and critically acclaimed albums- the most recent being Sound, Space and Structures which partners his working Trio (with John Hébert on bass and Tyshawn Sorey on drums) with the iconic free-jazz saxophonist Evan ...
read more
Jazz Musician of the Day: John Escreet
Source:
Michael Ricci
All About Jazz is celebrating John Escreet's birthday today!
Over the course of his career, John Escreet has earned a reputation as one of the most active and diverse pianist/composers working in jazz and improvised music. His prolific output is reflected over the course of 6 diverse and critically acclaimed albums- the most recent being Sound, Space and Structures which partners his working Trio (with John Hébert on bass and Tyshawn Sorey on drums) with the iconic free-jazz saxophonist Evan ...
read more
Jazz Musician of the Day: John Escreet
Source:
Michael Ricci
All About Jazz is celebrating John Escreet's birthday today! Since moving to New York in 2006, John Escreet has had a powerful impact, and is emerging as one of the most creative and original pianists on the music scene there. He is highly revered amongst his peers for his creativity, openness and for his own original music, which draws inspiration from many different sources, and encompasses them all and much more. Escreet keeps himself busy by touring regularly across the ...
read more
Jazz Musician of the Day: John Escreet
Source:
Michael Ricci
All About Jazz is celebrating John Escreet's birthday today! Since moving to New York in 2006, John Escreet has had a powerful impact, and is emerging as one of the most creative and original pianists on the music scene there. He is highly revered amongst his peers for his creativity, openness and for his own original music, which draws inspiration from many different sources, and encompasses them all and much more. Escreet keeps himself busy by touring regularly across the ...
read more
New John Escreet Featuring Evan Parker On Sunnyside (5/13)!
Source:
Sunnyside Records
Jazz and contemporary improvised music have had numerous iconoclasts, who questioned and reshaped forms that they inherited, and, as an aural tradition, the music develops as these boundary pushers collaborate and share their knowledge, so the future generations of musicians can push ahead. Pianist/composer John Escreet knew that he wanted to perform with just such a musician - the legendary saxophonist Evan Parker - for a long while. He was finally able to find the opportunity to partner Parker with ...
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“Pianist John Escreet's recent debut Consequences signals the jumpstart of a new voice in jazz.” —Downbeat
“John Escreet, a British jazz pianist in his mid-20s, has no problem communicating drama. "Consequences," his highly accomplished debut, opens with a half-hour composition "The Suite of Consequence" that divides almost imperceptibly into three parts. The piece at large is a whorl of high- impact quintet engagement, combustible solo digressions, calmly contemplative passages and flashes of mounting suspense. A lot happens there, and each moment carries its own sharp glint of conviction.” —The New York Times