Updated: July 30, 2024
Born: January 26
Ken Field is a composer, saxophonist, flautist, and percussionist. He has received international public and critical acclaim for his solo work, his work with the Revolutionary Snake Ensemble (which he leads), Birdsongs of the Mesozoic, Willie Loco Alexander's Persistence of Memory Orchestra, and the Armenian/American jazz project Musaner, as well as his commissioned compositions and performances with Bridgman/Packer Dance. Field has composed a number of pieces for the children's television program Sesame Street. He was named a Finalist in Music Composition by the Massachusetts Cultural Council, and currently serves as President of the Board of Directors of JazzBoston and as Chair of the Truro Concert Committee. He is Past President of the Board of Directors of Tutoring Plus of Cambridge and a past member of the Organizing Committee of the HONK! Festival. Field hosts The New Edge, a weekly radio program of creative instrumental music currently airing on WMBR, WOMR, and taintradio.
Revolutionary Snake Ensemble's latest CD "I Want That Sound!" is out now on Innova Recordings. "Hard-partying avant-funk, with boisterous soloing...I Want That Sound! is a strong example of how Ken Field and the Revolutionary Snake Ensemble continue to push the brass band tradition forward in an entirely original way, all the while making music that's a heck of a lot of fun." - NYC Jazz Record
The Revolutionary Snake Ensemble's third CD Live Snakes (Accurate Records) was an Editor's Pick in Downbeat, and Offbeat Magazine (New Orleans) called it "A stone cold killer diller!"
Awards
- Finalist in Music Composition, Massachusetts Cultural Council. 2017.
- Nominated for Boston Music Award (RSE). 2004, 2005.
- Nominated for Best Music Poll award (RSE). 2003, 2004, 2005.
- Utah State Historical Society Antiquities Award for work on Nine Mile Canyon film. 2001.
- Named to short list (with Karen Aqua) for Artists & Communities: America Creates for the Millennium. 1999.
- Named semifinalist in Musician Magazine's "Best Unsigned" competition. 1997.
- Named one of "Boston's Top 10 Unsigned Acts": The Tab, Boston, MA. 1996.
- Nominated "Best Other Instrument" in Boston: The Noise, Boston, MA. 1994, 1995, 1996, 1997, 1998..
- Third Prize, Soundtrack Category (for "Nine Lives"): ASIFA-East Animation Awards, NYC. 1988.
- Voted #3 Horn Player in Boston: The Beat, Boston, MA. 1986.
- Listed in Who's Who in the East. 1986-.
Gear
Vandoren Performing Artist & Applied Microphone Technology Endorser
Tags
All About Jazz Articles
Ken Field & The Revolutionary Snake Ensemble: The Musical Road Less Taken
by Tod Smith
Saxophonist/composer Ken Field describes the Revolutionary Snake Ensemble as a “funk and street beat brass band playing New Orleans and other modern improvised celebratory styles." Playing original compositions and those of artists as diverse as Billy Idol and Ornette Coleman, the RSE was formed in 1990 to entertain a at a pagan women's ritual celebration. The project continued and today RSE is a fixture on the Boston, New York and New Orleans musical scenes. RSE's two discs--Year of the Snake ...
Continue ReadingKen Field: Under the Skin
by Samuel Chell
The opening track's sounds of bass with alto saxophone improvising over a street beat are practically an invitation to dance, especially to anyone who's been a “second liner" in a traditional New Orleans funeral recessional. This music, after all, was composed by alto saxophonist Ken Field as “dance music," an integral component of a multimedia work, Under the Skin, combining live dance performance, original music, and visual technology. The technology used in constructing the musical pieces is apt to make ...
Continue ReadingBirdsongs of the Mesozoic: Dancing on A'A
by AAJ Staff
Dancing on A'A documents the improvising quartet Birdsongs of the Mesozoic early in their second decade. It's highly unusual for a group of improvisers to stick together for over 20 years, but this is hardly an average group. While other stable musical units might doggedly pursue the same style to perfection, Birdsongs aims for the anti-style. Anything that crosses genre boundaries is fair game for this group.
On Dancing on A'A, electric and acoustic instruments arrive at fruitful collisions. Birdsongs ...
Continue ReadingBirdsongs Of The Mesozoic: Petrophonics
by Glenn Astarita
With their 10th recording titled Petrophonics, Boston Massachusetts based “Birdsongs Of The Mesozoic” have perhaps achieved the pinnacle of mastery with this truly superb newly released effort. Here, pianist/composer Erik Lindgren and woodwind specialist Ken Field cap off a string of successful solo ventures as the duo realigns with guitarist Michael Bierylo and synthesizer ace Rick Scott for the band’s latest and first effort in over five years.
“BOTM” continues to defy any rigid semblance of categorization yet surge onward ...
Continue ReadingKen Field: Tokyo in F
by Glenn Astarita
Whether educating students at workshops, scoring soundtracks for television, i.e. “Sesame Street”, “HBO” and “PBS” or his ongoing affiliation with the band, “Birdsongs of the Mesozoic”, New England area saxophonist/composer Ken Field is liable to pull quite a few tricks out of the many hats he wears. With two highly acclaimed solo efforts to his credit, Pictures of Motion and Subterranea Field’s latest recording features three reputable Japanese musicians whom he had only met prior to the actual performance.
Tokyo ...
Continue ReadingKen Field/Katsui Yuji/Kido Natsuki/Shimizu Kazuto: Tokyo In F
by AAJ Staff
Tokyo in F presents the international meeting of American Ken Field (Birdsongs of the Mesozoic) with Japanese musicians Kazuto (Arepos), Natsuki (Bondage Fruit), and Yuji (Bondage Fruit). Since this group of musicians had not previously played together before their date at Tokyo's In F nightclub, this live record oozes with spontaneity and a constant sense of discovery. Combining the restrained sound of chamber music with the constant fluxology of free jazz, the quartet makes creative use of its fresh instrumentation. ...
Continue ReadingKen Field: Pictures Of Motion
by AAJ Staff
Ken Field has crafted thirteen sonic pictures of pure sax excellence. They range from introspectively dark or airy ambience to peppy, bopping bounces. This is a stroll down neon-lit alleyways of mod jazz hipness. Some pieces are somber, solo, alto saxophone, sometimes layered or effects-altered and others are amplified with drums, acoustic bass, fretless electric bass, drums and percussion. Best references for what is happening here are adventurous works by Dave Binney, Theo Travis, Gallery, Paul McCandless, and mellower Lost ...
Continue ReadingArticles Across the Web
...or were mentioned in an All About Jazz article.
Ken Field's Revolutionary Snake Ensemble Releases "I Want That Sound!"
Source:
All About Jazz
The Revolutionary Snake Ensemble (RSE) has been developing and cultivating a distinct sound critics and audiences alike hail for invigorating an illustrious musical heritage with fresh ideas, wit, and spunk while in the process attracting new and younger audiences to the music. In fact, RSE has been at the forefront of the jazz renaissance The Guardian (UK) newspaper recently touted as a “new golden age”. Over more than a quarter century of touring and performing in settings ranging from clubs ...
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Ken Field's Revolutionary Snake Ensemble Returns to NYC
Source:
Rolling Thunder PR
Boston's Acclaimed Revolutionary Snake Ensemble Returns to New York City Bringing their Avant Second Line New Orleans Funk Back For the First Time in Two Years “The Revolutionary Snake Ensemble, a writhing, horn-heavy group led by the Boston-based saxophonist and composer Ken Field, dresses in feathered masks and sequined robes and covers a broad range of funk- and New Orleans-inspired music. A seasoned collection of horn and percussion players, the group, which is closing in on two decades of music-making, ...
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Downtown Boston's Jazz Swarms for Jazz Week from JazzBoston
Source:
Chris Rich
Ken Field graciously shared his sense of the role of swarming. It really turns on the reappearance of music in the public square without the conventions of venue performance. “Since the earliest days of my musical career I have always been attracted to the choral and contrapuntal sound of multiple iterations of the same instrument. Decades ago, when I was asked to add a sax solo to a track, I would invariably record multiple takes of the solo, and then ...
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Jazz Musician of the Day: Ken Field
Source:
Michael Ricci
All About Jazz is celebrating Ken Field's birthday today!
JAZZ MUSICIAN OF THE DAY Ken Field
Ken Field is a saxophonist, flautist, percussionist, and composer. Since 1988 he has been a member of the internationally acclaimed electrified modern music ensemble Birdsongs of the Mesozoic, with whom he has recorded eight CDs... more
Website | Videos | Articles
Follow Ken Field
Put AAJ's Musician of the Day box on your website ...
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Revolutionary Snake Ensemble's Ken Field Interviewed at AAJ
Source:
All About Jazz
Saxophonist/composer Ken Field describes the Revolutionary Snake Ensemble as a “funk and street beat brass band playing New Orleans and other modern improvised celebratory styles." Playing original compositions and those of artists as diverse as Billy Idol and Ornette Coleman, the RSE was formed in 1990 to entertain a at a pagan women's ritual celebration. The project continued and today RSE is a fixture on the Boston, New York and New Orleans musical scenes. RSE's two discs-- Year of the ...
read more
Jazz Musician of the Day: Ken Field
Source:
Michael Ricci
All About Jazz is celebrating Ken Field's birthday today!
JAZZ MUSICIAN OF THE DAY Ken Field
Ken Field is a saxophonist, flautist, percussionist, and composer. Since 1988 he has been a member of the internationally acclaimed electrified modern music ensemble Birdsongs of the Mesozoic, with whom he has recorded eight CDs... more
Website | Videos | Articles
Follow Ken Field @ AAJ
Put AAJ's Musician of the Day box on ...
read more
"Something quite original in the world of jazz and beyond." —- Kory Cook, KUT Radio, Austin, TX
"A stone cold killer diller" Offbeat Magazine, New Orleans, LA
"Sly funky tuneful avant garde jazz" New York Music Daily
"Touches all the right cornerstones of jazz, but also funks my socks off!" Kyle Press, WKDU, Philadelphia, PA
Primary Instrument
Saxophone
Location
Boston
Willing to teach
Advanced only
Credentials/Background
Experienced and patient teacher with national & international performance credentials; private half-hour lessons in West Concord; Monday afternoon/evening; all levels; contact for references & details.
Clinic/Workshop Information
1. "Improvisation for Non-Improvisors" 2. "Soundtrack Design for Animation" 3. "Brass Bands from Bourbon Street to Sesame Street" 4. "Technology as a Tool" Presentation, residency, and workshop experience includes Wellesley College (MA), Alfred University (NY), Western New Mexico University, Sheridan College (WY), the Artists' Association of Nantucket (MA), Applewild School (MA), Camden-Rockport High School/YouthArts (ME), New Mexico Military Institute, the Carolina Film Festival (NC), Emory University (GA), the University of North Carolina, Hilo & Waiakea High Schools (HI), Dartmouth College (NH), the Massachusetts College of Art (MA), Lebanon Valley College (PA), the Boston Museum of Science (MA), the Creative Music Orchestra (New Haven, CT), the Fitchburg (MA) Art Museum, and, with Delfeayo Marsalis, the Nunez Correctional Learning Center (Port Sulpher, LA)
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