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Linda May Han Oh

Based in New York City, GRAMMY award-winning Linda May Han Oh is a bassist/composer who has performed and recorded with artists such as Pat Metheny, Kenny Barron, Joe Lovano, Dave Douglas, Terri Lyne Carrington, Steve Wilson, Geri Allen and Vijay Iyer.

Originally born in Malaysia and raised in Boorloo (Perth), Western Australia, she has received many awards including a 2022 Deutscher Jazz Preis, 2nd place at the BASS2010 Competition, a semi-finalist at the BMW Bass competition and an honorary mention at the 2009 Thelonious Monk Bass Competition. She was voted the 2018-2021 Bassist of the Year by the Jazz Journalist’s Association, as well 2022 Bassist of the Year in Jazztimes. Linda also was voted 2019 Bassist of the Year in Hothouse Magazine and was the 2020 recipient APRA award for Best New Jazz Work. In 2023 she received the prestigious Herb Albert Award for music.

Linda has had five releases as a leader which have received critical acclaim, her latest – a quintet album entitled The Glass Hours on Biophilia Records. Her latest commissions include “Littoral Tales” a solo piano piece in two movements for Gloria Cheng, and “Ephemeral Echoes” written for percussion trio and piano trio as well as “Mirrors and Shadows” written for piano and bass duo.

Linda has written for large and small ensembles as well as for film, participating in the Sundance Labs at Skywalker Ranch and composing for several of sociologist/film maker Sabrina McCormick. Linda also composed and produced music for a collaborative film project with non-profit, “Hoperaisers” based in Korogocho, Kenya by film-maker Kizito Gamba and contributed music to his latest documentary “Calling the Shots” co-directed by Kore Abong about aspiring African women in the film-industry.

Linda is currently Associate Professor at the Berklee College of Music in the bass department and is also part of the Institute for Jazz and Gender Justice led by Terri Lyne Carrington. Linda was featured on bass in the 2020 Pixar movie "Soul" under the musical direction of Jon Batiste (The Late Show with Stephen Colbert) alongside drummer Roy Haynes and was the model for the character in the film - bassist “Miho.”


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Album Review

Vijay Iyer: Compassion

Read "Compassion" reviewed by Mario Calvitti


L'ottavo album da titolare del pianista Vijay Iyer per la ECM è anche il primo a riprendere una formazione già utilizzata, per la precisione nel precedente Uneasy pubblicato nel 2021, non considerando un altro disco in trio ma con differenti interpreti (Break Stuff, del 2015). Negli altri lavori Iyer ha spaziato dalla suite cameristica con un quartetto d'archi (Mutations) al sestetto (Far from Home), dai duetti con Wadada Leo Smith e Craig Taborn (a cosmic rhythm with each stroke e ...

20
Album Review

Hyeonseon Baek: Longing

Read "Longing" reviewed by Troy Dostert


Any vocalist who can call upon top-shelf talent in support of their debut recording is worth hearing. Hyeonseon Baek is no exception. The South Korean singer, who has studied at Maastricht University in the Netherlands and at the New England Conservatory, has already forged the connections that should allow him to distinguish himself in the jazz world. Aided by pianist Kevin Hays, bassist Linda May Han Oh and drummer Jochen Rueckert, along with a few guest tracks from tenor saxophonist ...

Album Review

Pascal Le Boeuf: Ritual Being

Read "Ritual Being" reviewed by Angelo Leonardi


Come il fratello gemello--il sassofonista Remy--anche Pascal Le Boeuf affianca al talento strumentale (di pianista) alte doti di scrittura per ampi organici. Dopo i primi lavori in gruppi condivisi, i due hanno espresso proprie individualità. Il primo s'è imposto tra i protagonisti della nuova orchestrazione jazzistica pubblicando Assembly of Shadows e Architecture of Storms. Il secondo ha dato vita ad altri progetti, tra cui il trio con Linda May Han Oh e Justin Brown (Pascal's Triangle, 2013), le collaborazioni col ...

Album Review

Linda May Han Oh: The Glass Hours

Read "The Glass Hours" reviewed by Angelo Leonardi


Cinque anni dopo la registrazione di Aventurine, il suo precedente album da leader, Linda May Han Oh torna con un nuovo progetto e un nuovo organico. Sappiamo ormai che ogni disco della contrabbassista e compositrice costituisce una tappa del suo percorso esistenziale e artistico, rappresenta il risultato di profonde riflessioni e assume le forme di un concept album. Gli accadimenti e le esperienze che stanno alla base di The Glass Hours riguardano soprattutto due “pause di riflessione" ...

Album Review

Jo Lawry: Acrobats

Read "Acrobats" reviewed by Angelo Leonardi


Ha trovato un intrigante, e quanto mai riuscito, equilibrio tra sperimentazione e mainstream la cantante australiana Jo Lawry nel suo pieno ritorno al jazz dopo il debutto del 2008 con I Want to Be Happy. Il merito va condiviso con la contrabbassista Linda May Han Oh e la batterista Allison Miller, magnifiche co-leader di un progetto di piena partecipazione collettiva. Dopo quell'acclamato debutto (recensione da 4 stelle e mezzo su “Down Beat" e inclusione tra i ...

5
Live Review

Linda May Han Oh Quintet at Bach Dancing and Dynamite Society

Read "Linda May Han Oh Quintet at Bach Dancing and Dynamite Society" reviewed by Roy Strassman


Linda May Han Oh Quintet Bach Dancing and Dynamite Society Half Moon Bay, CA January 28, 2024 Bach Dancing and Dynamite Society is a fantastic seaside venue for enjoying gemütlich hospitality and late Sunday afternoon jazz. On this Sunday, the tides rolled in Linda May Han Oh and her formidable quintet. Linda May is a remarkable bassist and has an enchanting presence. Attired in a full-length Hawaiian grass--type skirt, she played--or should I ...

12
Album Review

Vijay Iyer: Compassion

Read "Compassion" reviewed by Mike Jurkovic


As the title track of Compassion gets conjured up on a rubato tumble of Tyshawn Sorey's cymbals, bassist Linda May Han Oh begins her work which--on all of Compassion--is herculean. Vijay Iyer ushers in, and a quiet thing of beauty gets underway. It is one of the album's monster tracks. And eleven more tracks follow. Much like the trio's 2021 ECM effort Uneasy, Compassion makes for a most intense and most satisfying listen. “Arch" is a vivid display ...

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Recording

Recent Listening: Linda May Han Oh

Recent Listening: Linda May Han Oh

Source: Rifftides by Doug Ramsey

Recent Listening In Brief: Linda May Han Oh, Aventurine (Biophilia) The album title, aptly, seems to suggest adventure. Indeed, the CD contains plenty of that attribute in the bassist-composer’s instrumentation, textures and rhythmic values. The name was suggested, however, by a certain shiny translucent mineral that seems to glow from within, as does much of Ms. Oh’s music in this collection. The inspirations for her compositions, her choices of fellow performers and the way she writes and presents much of ...

235

Interview

Bassist Linda Oh Interviewed at All About Jazz

Bassist Linda Oh Interviewed at All About Jazz

Source: Fully Altered Media

In an arena that is overwhelmingly dominated by her male counterparts, bassist Linda May-Han Oh is going to be a force with which to be reckoned. Her auspicious self-produced debut, Entry (2009), was lauded by critics, and was one of pianist Vijay Iyer's top picks for 2009. Her technical know-how is solidified by visceral, emotive and gutsy performance. Oh walks softly and lets her double-bass do the boasting, and does so impressively. With the buzz slowly getting out about her ...

309

Interview

Have You Heard Linda Oh?

Have You Heard Linda Oh?

Source: The Independent Ear by Willard Jenkins

Like most who've heard the young Aussie bassist Linda Oh, my starting point was hearing her fresh debut recording “Entry“. Besides the fact that she just kind of materialized on the scene untethered to advance hype, the record was first of all curious because Ms. Oh took the hang-fly route and played her music with a lean and mean trio, including other promising peers drummer Obed Calvaire and trumpeter Ambrose Akinmusire. The presence of those young firebreathers further stirred the ...

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Radio

The Jazz Session #139: Linda Oh

The Jazz Session #139: Linda Oh

Source: Michael Ricci

Bassist Linda Oh was born in Malaysia to Chinese parents, grew up in Perth, Australia, and now plays the bass in New York City. Her debut recording, Entry (self-produced, 2009), is a strong trio statement featuring trumpeter Ambrose Akinmusire and drummer Obed Calvaire. In this interview, Oh discusses her decision to challenge herself on her first recording; her upbringing and how it influenced her decision to become a jazz bassist; and how she has dealt with stereotypes about Asian women ...

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Music

Recordings: As Leader | As Sideperson

Compassion

ECM Records
2024

buy

Longing

You&Me Music
2024

buy

Songs My Mom Liked

Origin Records
2024

buy

What Place Can Be for...

Origin Records
2023

buy

Acrobats

Whirlwind Recordings
2023

buy

Billy Valentine And...

Flying Dutchman
2023

buy

Praise

From: Songs My Mom Liked
By Linda May Han Oh

Longing

From: Longing
By Linda May Han Oh

West 4th St

From: Longing
By Linda May Han Oh

The Door of No Return

From: What Place Can Be for Us? - A...
By Linda May Han Oh

Haven't Meta Yet

From: Same Moon in the Same World
By Linda May Han Oh

Stablemates

From: Let's Get Tropical
By Linda May Han Oh

Straight Talk

From: Let's Get Tropical
By Linda May Han Oh

MR 2

From: Let's Get Tropical
By Linda May Han Oh

Mental Self Defense Fitness

From: Let's Get Tropical
By Linda May Han Oh

Let's Get Tropical

From: Let's Get Tropical
By Linda May Han Oh

Glacier Lake

From: Let's Get Tropical
By Linda May Han Oh

MR 4

From: Let's Get Tropical
By Linda May Han Oh

Trio 3

From: Let's Get Tropical
By Linda May Han Oh

The Gulf

From: Orange Afternoons
By Linda May Han Oh

Videos

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