Max Johnson

Described as “an intrepid composer, architect of sound and beast of the bass...” (Brad Cohan, NYC Jazz Record) composer-bassist Max Johnson creates complex worlds of sound, challenging his listeners to engage deeply and be rewarded with an experience always crafted with love, care, and clarity. With nine albums and over two thousand concerts internationally with artists like Anthony Braxton, Mary Halvorson, Tyshawn Sorey, John Zorn, and Mivos Quartet, Johnson brings a wild energy and excitement. Johnson currently teaches music theory at Brooklyn College and is the father to a beautiful chihuahua named Gabby. Celebrated as “one of the more versatile figures… a leader with a strong, woody tone” (Peter Margasak, The Chicago Reader), Johnson is equally adept as a composer, improviser, and interpreter. He has carved out a unique path in the contemporary music, jazz, and bluegrass worlds as a boundless force of positivity, with a non-stop touring schedule and a prolific body of work. His music has been featured at Lincoln Center, the United Nations, Lollapalooza, Bern Jazz Festival, Delfest, Rockygrass, Greyfox, Old Settler's Music Festival, High Sierra Music Festival, Fayetteville Roots Festival, Strawberry Music Festival, 3 Sisters Music Festival, and the Quebec City Festival. Johnson also has a prolific recording history, having released nine albums under his own name, has been a part of over 50 albums, and can be heard Spike Lee’s Academy Award winning film the BlacKkKlansman. In 2012 and 2014 was voted No.2 Bassist of the Year and No. 5 Musician of the Year in El Intruso's International Critics Poll. In 2018 he was commissioned by the University of Glaskow to celebrate the 100th anniversary of Claude Debussy with his work for oboe, horn and harpsichord, Clawed, followed by a commission by the Steven R. Gerber Trust for I Have Heard the Chimes at Midnight for Brass Trio and Piano. In 2020 the Jerome Foundation commissioned him for a new extended work Transformations which was featured in a portrait concert at Roulette, in Brooklyn, NY, and in 2021 he was commissioned by the Society of Composers, Inc to compose Spangled Dots for the Kamratōn ensemble, based on text by Todd Colby. His debut album of chamber music, When the Streets Were Quiet, was funded by the Café Royal Cultural Foundation, and will be released in 2022. He has toured, recorded, and performed with some of the most legendary names in his fields, including Muhal Richard Abrams, Nels Cline, David Grisman, Ingrid Laubrock, Sam Bush, William Parker, Bryan Sutton, Joseph Jarman, Karl Berger, Kris Davis, Darol Anger, the Travelin’ McCourys, members of Talea Ensemble, Bang on a Can, and the De Capo Chamber Players.

No matter the style of music, Max Johnson is heavily influenced by memory, surprise, stasis, and natural development, and cites the writing of Samuel Beckett and Franz Kafka as important inspiration. Max Johnson holds a Bachelors Degree from The New School, Masters Degrees from the Vermont College of Fine Arts and Brooklyn College, and has studied with Henry Grimes, Jason Eckardt, Jonathan Bailey Holland, Jane Ira Bloom, John Mallia, Mark Helias, Eric Wubbels, Mark Dresser, and Kirk Nurock.
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