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Sammy Price
From Honey Grove, Texas, Samuel Blythe Price grew up in Waco, where he learned to play alto saxophone. Portia Pittman, the daughter of Booker T. Washington was his piano teacher in Dallas. His career began in 1925 when he joined the Alphone Trent Orchestra as a Charleston dancer, soon after he was leading his own big band in Dallas. In the twenties, he performed with Benny Long, Lem Johnson, Leonard Chadwick, and in 1927, he toured with the Let’s Go Show. Price lived in Kansas City, Chicago, and Detroit before settling in New York where he began a long relationship with Decca Records. As a recording supervisor and arranger he worked with many top artists of the time including Sister Rosetta Tharpe, Peetie Wheatstraw, and Blue Lu Baker. Price also led his own group the Texas Blusicians. In the 1940’s, Price recorded for Mezz Mezzrow’s King Label as both a solo and boogie-woogie pianist; he also sided with Sidney Bechet and organized the first black-run jazz festival in Philadelphia. Price’s charm and playing brought him to Europe more than once and he acquired two nightclubs in the Dallas area. He then moved back to New York and recorded several albums, including “Blues and Boogie,” (1955) and “The Price is Right” (1956). During the 1960’s, he left the music business briefly to work in community affairs and run his Down Home Meat Products Company. Upon returning to the stage and studio, Price played with a group called Two-Tenor Boogie, recording “Midnight Boogie,” (1969), “Fire” (1975), “Black Beauty,” (1979), and “Play it Again Sam” (1983). His best major appearance was at the Weill Recital Hall at Carnegie Hall as part of the 1991 JVC Jazz Festival. Sammy Price died in April 1992.
Source: James NadalTags
Sammy Price: Sammy Price and the Blues Singers: Vol. 1 (1938-1941), Vol. 2 1939-1949
by Dave Nathan
Sammy Price, who was active well into his 80's, worked both as a blues and jazz pianist, with special talents in the former genre and quite handy in the latter. This 2-CD set captures Price accompanying a variety of blues singers in his role of house pianist for Decca Records. Some singers here were better than others. One of the better was Bea Foote, who sported that strong vibrato which characterized many female blues singers of the period. Foote had ...
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