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About Archie Shepp
Instrument: Saxophone, tenor
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Archie Shepp
Born:
Archie Shepp was born in 1937 in Fort Lauderdale in Florida. He grew up in Philadelphia, studied piano and saxophone and attended high school in Germantown; he went to college, became involved with theatre, met writers and poets, among them, Leroy Jones and wrote: «The Communist», an allegorical play about the situation of black Americans. In the late fifties, Archie Shepp also met the most radical musicians of the time: Lee Morgan, Bobby Timmons, Jimmy Garrison, Ted Curson, Beaver Harris ... his political consciousness found an expression in plays and theatrical productions which barely allowed him to make a living
The Carnegie Hall Concert
Label: Impulse! Records
Released: 2024
Track listing: Journey in Satchidananda; Shiva-Loka; Africa; Leo.
Mario Mariotti, ricerca e improvvisazione tra contemporanea e jazz
by Neri Pollastri
Trombettista milanese di formazione accademica e dalle diversificate esperienze, appassionato esploratore dei multiformi scenari dell'improvvisazione, Mario Mariotti negli ultimi anni ha proposto lavori diversi tra loro, ma tutti molto interessanti. Abbiamo conversato con lui per conoscere meglio la sua personalità artistica. All About Jazz: Comincerei dal tuo interesse per Bill Dixon al quale ti ...
Jimi Hendrix - A Jazz Experience, Part 3
by Ludovico Granvassu
Yes, Jimi Hendrix was a rock guitar god, but he inspired scores of jazz players, and fans. After all, he is the first non-jazz musician to enter the DownBeat Hall of Fame, back in 1970 (the year of his passing). Enjoy our third and final segment of this week's tribute to Jimi Hendrix, and yet more ...
Joe Fonda: Eyes On The Horizon
by Mark Corroto
When a musician who is a legend himself, herein bassist Joe Fonda, creates an album of tribute music to his mentor and teacher, it is rare that that person also performs on the recording. Fonda wrote the seven compositions heard here, with five dedicated to the master musician Wadada Leo Smith. On Eyes on The Horizon, ...
The Label Head: Nils Winther
by B.D. Lenz
Talk to anyone from around the jazz business and they'll all tell you the same thing, there is no shortage of it. There is plenty of great music being made by plenty of great musicians. In fact, the supply is probably outpacing the demand. And yet independent jazz labels are having a tough time. Do they ...
Remembering Roy Haynes: Modern Jazz Giant
by Ian Patterson
When Roy Haynes sat down at the tiny kit on the stage of the Everyman Theatre, during the Guinness Cork Jazz Festival in 2005, he shook his head ruefully and said, “Man, I feel like a midget!" Rising above the audience laughter, somewhere in the depths of the theatre, a voice replied, “Roy, you're a giant!" ...
Marion Brown: Three For Shepp To Gesprachsfetzen Revisited
by Alberto Bazzurro
Tre brani di Marion Brown e altrettanti di Archie Shepp compongono il primo dei due album riuniti, come sempre meritoriamente, in questo CD, provenendo da quello che rappresenta il debutto dell'altosassofonista georgiano su Impulse!, inciso il 1° dicembre 1966 (dopo un paio di ESP e un Fontana) e pubblicato l'anno seguente. La stessa Impulse!, come già ...
Brandon Ross Phantom Station: Off the End
by Vic Albani
"Navigando tra luce e oscurità, con Off the End, Brandon Ross Phantom Station offre una cerimonia che è allo stesso tempo aperta e strettamente focalizzata, rivelando uno spirito impavido slegato da vincoli stilistici." Le poche parole tratte dalla recensione pubblicata da “Jazz Trail" inquadrano perfettamente e in poche parole il sunto stilistico del nuovo lavoro discografico ...
Jason Robinson, Sanchez / Guy / Lopez, Vehicle / Passenger & Jeff Lederer
by Maurice Hogue
Multi-reedist Jason Robinson's second volume of music composed in honor of his ancestors maintains the same power and emotion as the first and both albums are among the best releases of 2024. Fellow saxophonist Jeff Lederer's new Guilty! has a political slant, and it delivers a message that many of us are waiting to hear, while ...
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