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George Lewis
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George Lewis is a jazz trombone player and composer. In addition to his own recordings, he has recorded or performed with Anthony Braxton, Roscoe Mitchell, Conny Bauer and others. He is a contemporary and colleague of trombonist Ray Anderson. He also has a feature segment on Laurie Anderson's album Big Science. Lewis has long been active in creating and performing with interactive computer systems, most notably his software called Voyager, which "listens to" and reacts to live performers. Lewis gave an invited keynote lecture and performance at NIME-06, the sixth international conference on New Interfaces for Musical Expression, which was held at IRCAM, Paris, in June 2006. He is a member of the Association for the Advancement of Creative Musicians (AACM) and a graduate of Yale University, where he was tapped by the The Skull and Bones
The Label Head: Nils Winther
by B.D. Lenz
Talk to anyone from around the jazz business and they'll all tell you the same thing, there is no shortage of it. There is plenty of great music being made by plenty of great musicians. In fact, the supply is probably outpacing the demand. And yet independent jazz labels are having a tough time. Do they ...
Jazzfest Berlin 2024
by Giuseppe Segala
Haus der Berliner Festspiele, Quasimodo Jazz Club, A-Train Jazz Club, Chiesa Monumentale Kaiser Wilhelm Jazzfest Berlin 2024 Berlino 31 ottobre--3 novembre 2024 Nel programma che celebrava il sessantesimo compleanno del Jazzfest Berlin, e che ne scandiva la sessantunesima edizione, non c'era solo musica. Ovvero, attorno al ricco e appetitoso ...
Wadada Leo Smith, Amina Claudine Myers: Central Park's Mosaics of Reservoir, Lake, Paths and Gardens
by Giuseppe Segala
Amina Claudine Myers e Wadada Leo Smith sono stati protagonisti fin dalle prime mosse del fermento artistico che ha preso il nome di Association for the Advancement of Creative Musicians, a Chicago nel 1965 per iniziativa di Muhal Richard Abrams, Malachi Favors, Fred Anderson e altri artisti più giovani, che cercavano nuove strade, mescolando in modo ...
Take Five with Meg Okura
by AAJ Staff
Meet Meg Okura Hailed as “the queen of chamber jazz (All About Jazz)," Tokyo-native Meg Okura is a Grammy-nominated jazz composer and violinist based in New York, known for her music praised by The New York Times as “grandiloquent beauty that transitions easily from grooves to big cascades to buoyant swing." Ms. Okura leads her 10-piece ...
Clint Maedgen: Life Before & With Preservation Hall
by Thomas Cole
My first memories of listening to music as a kid? I was probably listening to Fats Domino and rock 'n' roll on the radio. The power of AM radio at that time in the '70s was a huge foundational influence on me, as it has been for a lot of people in those days. And sittin' ...
Petr Kotik: Beyond Race, Beyond Genre, There’s Music
by Kurt Gottschalk
Petr Kotik has walked among giants. To the extent that he is recognized in jny: New York City, where he has made his home for 41 years, it is as an associate of John Cage and Morton Feldman with an apparent fixation on Gertrude Stein. In his Czech homeland, he is held in higher esteem--in part, ...
Ostrava Days 2023
by Martin Longley
Klub Parník, Plato, Triple Hall Karolina, etc. Ostrava, Czech Republic August 28-September 2, 2023 Ostrava Days happens once every two years, mostly dedicated to the well-being of new music, composed for varying sizes of ensembles, right up to a fully-bloated orchestra. Sometimes, though, works will be penned for mere solo ...
Damon Smith, Peter Kowald, Joëlle Léandre & Bertram Turetzky: Bass Duos 2000-2007
by Jeff Schwartz
One function of recordings is to document a performer's development. Damon Smith's Bass Duos 2000-2007 not only captures his artistic and technical evolution, his choice of duet partners represents the expanded options for the bass in creative music since the 1960s. Two of the three discs in this set were previously released, but ...
Ivo Perelman: Artificial Intelligence
by Jeff Schwartz
Do not be misled by the title: no bots or algorithms were involved in creating this album. While there have been fascinating experiments in improvisation with interactive software by George Lewis, Richard Teitelbaum and others, Artificial Intelligence is just under an hour of spontaneous human interaction by two of the most prolific and uncategorizable improvisers in ...
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