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About Jan Garbarek
Instrument: Saxophone, tenor
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Jan Garbarek
Born:
The Norwegian saxophon player, Jan Garbarek had an early breakthrough into the elite of modern jazz in the 60's, due to his extensive cooperation with Keith Jarrett. His name is listed next to the big names from the U.S. and is associated with the birth of an original european sound in jazz. His tone is clear, indipendent, ascetic and pure. "The north and nature, song and mystery" are what Garbarek calls his origins and these are his unrefutable heritage. If it wasn't for his strong inner connection with Norwegian folklore, he wouldn't be able to integrate Brasilian and Asiatic influences as convincingly as he does
Arild Andersen: Landloper
by Neil Duggan
The stark elegance of Arild Andersen's bass playing has been inspiring and entertaining audiences since the 1970s. He first gained prominence as a member of the Jan Garbarek Quartet, performing alongside Jon Christensen and Terje Rypdal, and was among ECM's first recording artists. Throughout his career he has performed and recorded with jazz luminaries including Sonny ...
Next To Silence at the Skopje Jazz Festival
by Nenad Georgievski
Next to Silence MKC Skopje Jazz Festival Skopje, Macedonia October 17, 2024 Concert lineups are always a bit of a gamble. You show up for the main act, hoping the rest of the bill will hold your interest. When it works, it's unforgettable; when it doesn't, it's a long night. ...
Next to Silence: Ruh
by Nenad Georgievski
Ruh marks the highly anticipated return of Macedonian jazz band Next to Silence, arriving at a pivotal moment of reflection and renewal. The album is deeply shaped by the loss of one of the band's founding members, trumpeter Aleksandar Nikolovski (Grobi), who tragically passed away from cancer in 2021. Grobi's presence was integral to the band's ...
Dann Zinn: Two Roads
by Chris May
Bliss. Here is a tenor saxophonist to file next to the great New York-based Israeli tenor saxophonist Oded Tzur. The two players are far from interchangeable: each has their distinct sound and each has their distinct style. But both bring intimacy and solace to the soul, and both beam out a vibe of positivity. Tzur and ...
Saxophone Meets Guitar: The Dynamic Duo of Jazz
by Robert Middleton
Imagine a smoky jazz club where the deep, soulful wail of a saxophone weaves effortlessly with the nimble, melodic lines of a guitar. This rare instrumental combination is a hidden gem in the world of jazz that deserves more attention. Jazz is not just a genre--it is a universe with galaxies of swing, bebop, ...
Brilliant ECM Luminessence Series Shines New Light On Classic Vinyl
by Joshua Weiner
Blue Note. Verve. Impulse! ESP-Disk. Just saying the name of such storied jazz record labels immediately conjures up each one's distinct aesthetic, from the music to the cover art. By the close of the 1960s, jazz was undergoing a period of intense change, with an unprecedented mixing and matching of styles and influences--both musical and political--that ...
My Conversation with David Binney
by Glenn Astarita
This article first appeared on All About Jazz in September 1999. New York City-based saxophonist and composer David Binney has been getting lots of well-deserved attention over the last several years. Three excellent CDs with the unique and hard driving band Lost Tribe, stints with Medeski Martin & Wood, Drew Gress' Jagged Sky, Aretha ...
Tomasz Stanko, Tomasz Dabrowski and Kalaparusha Maurice McIntyre
by Maurice Hogue
Two never-heard-before albums are featured in this edition of OMJ. The first is from a saxophonist many considered overlooked for the list of great saxophonists: Kalaparusha Maurice McIntyre whom Anthony Braxton considered the next great saxophonist after Coltrane. The album features Kalaparusha and quartet playing a set at Studio Rivbea in New York during the Loft ...
Jan Garbarek, Keith Jarrett and Azimuth light up ECM Luminessence reissues
by Chris May
The spring 2024 iteration of ECM's audiophile vinyl reissue series, Luminessence, presents another trio of landmark albums: Jan Garbarek Quartet's Afric Pepperbird, from 1971, Keith Jarrett and Garbarek's Luminessence, from 1975, and Azimuth's Azimuth, from 1977. The combined scope of the music on the three discs (which come with new liner notes) is prairie wide, and ...
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