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Kevin Eubanks
Born:
Kevin Tyrone Eubanks (born November 15, 1957 in Philadelphia, Pennsylvania), is an American jazz guitarist who has been the leader of the Tonight Show Band with host Jay Leno since 1995. He played with Art Blakey, Roy Haynes, Slide Hampton, and Sam Rivers before starting to lead his own groups in 1983. Like his brother Robin Eubanks, a jazz trombonist, he has played on record with Dave Holland. In 2005, Eubanks received an honorary doctorate degree from the Berklee College of Music, of which he is an alumnus. He is also a member of Kappa Alpha Psi Fraternity, Incorporated. He is known for his lingering, amused laughter following many of Leno's sharper jokes, and for Leno routinely poking fun at his alleged marijuana, pornography and masturbation addictions
Smoke Jazz Club Announces January 2025 Line-up Including Dynamic Groups The Cookers, Eubanks Brothers, And More
Hailed as the “#1 Jazz Club in New York City (SecretNYC),” SMOKE Jazz Club kickstarts 2025 with some of today’s top ensembles in performance this January. From one of the most musical families, The Eubanks Brothers – siblings Robin, Kevin and Duane – perform their collective club debut (Jan 22-25). The veteran jazz septet, The Cookers, ...
Saxophone Meets Guitar: The Dynamic Duo of Jazz
by Robert Middleton
Imagine a smoky jazz club where the deep, soulful wail of a saxophone weaves effortlessly with the nimble, melodic lines of a guitar. This rare instrumental combination is a hidden gem in the world of jazz that deserves more attention. Jazz is not just a genre--it is a universe with galaxies of swing, bebop, ...
Ralph Bowen: Keep the Change
by C. Andrew Hovan
I can still remember the impression that Ralph Bowen made on a young jazz enthusiast trying to break into radio and be part of the hip jazz crowd. I had decided to get involved with the programming end of a local non-profit arts support organization and on a letter perfect July evening our committee had lined ...
Can You Judge an Album By Its Label?
by Dave Hughes
This article was first published at All About Jazz in March 1999. For almost as long as there have been record labels, many labels have sought to build a reputation or a brand identity for themselves in terms of the genre of music presented on their labels or the technical quality of their product. ...
Dean Brown: Global Fusion on Acid
by Jim Worsley
In memory of Dean Brown. This interview was first published at All About Jazz on April 23, 2021. From the outset, the equation was simple enough. Jazz + rock = fusion. However, whether it was Miles Davis, Larry Coryell, John McLaughlin, or any of the pioneers of fusion, the music has always been far ...
Ryan Kisor: Power Source
by C. Andrew Hovan
Taking full advantage of what might be termed his “second wind," Ryan Kisor has grown into one of the most mature trumpeters of his generation. Back in 1990 when he impressed his elders by taking the prize at the Thelonious Monk Institute trumpet competition, things appeared promising and a major record label deal even came through ...
Conrad Herwig: A Voice Through the Door
by C. Andrew Hovan
In the challenging economic and political climate of present day, it seems that much time is spent on matters of only fleeting importance. Furthermore, it seems that our culture has experienced a paradigm shift that places more emphasis on immediacy and instant fulfillment and less on rumination and appreciation of more profound matters. On the one ...
Edition Records: A Guide To The First Fifteen Years
by Ian Patterson
Edition Records celebrates its 15th anniversary in 2023. The label founded in Cardiff in 2008 by keyboardist Dave Stapleton has come a long way in that time. Initially conceived of as a means to release his own music and that of his friends, Edition Records went from being a cottage industry to a position as one ...
Jean-Luc Ponty: No Absolute Time
by Peter Rubie
When we talk about world music, we often use the phrase in quiet desperation to describe music that defies familiarity and our expectations but still appeals to us. Its very newness is often both slightly disturbing and refreshing at the same time. Two years before No Absolute Time was released in 1993, Jean-Luc Ponty ...
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