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Musician

Lee Morgan

Born:

Lee Morgan was a jazz prodigy, joining the Dizzy Gillespie big band at 18, remaining a member for two years. Beginning in 1956, he began recording as a leader, mainly for the Blue Note label, eventually he recorded twenty-five albums for the company. Morgan's principal influence as a player was Clifford Brown, having had direct contact with him before Brown's premature death.

He was also a featured sideman on several early Hank Mobley records, and John Coltrane's Blue Train. On the latter LP, he even played a bent-up horn like Gillespie's. Joining Art Blakey's Jazz Messengers in 1958 further developed his talent as a soloist and writer. He toured with Blakey for a few years, and was featured on Moanin, which is probably Blakey's best known recording. When Benny Golson left the Jazz Messengers, Morgan persuaded Blakey to hire Wayne Shorter, a young tenor saxophonist, to fill the chair. This classic version of the Jazz Messengers, including Bobby Timmons and Jymie Merritt would record the classic The Freedom Rider album.

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Article: Multiple Reviews

Jim Self & John Chiodini: Back into the Future

Read "Jim Self & John Chiodini: Back into the Future" reviewed by Doug Collette


The instrumental pairing of tuba master Jim Self and guitarist John Chiodini is an unlikely one to be sure, but the two veteran musicians have nurtured an equally uncommon chemistry. It is a musicianly dynamic so striking, in fact, that the two inspire not just each other, but the various other players to whom they extend ...

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Article: Album Review

McCoy Tyner / Joe Henderson: Forces Of Nature: Live At Slugs'

Read "Forces Of Nature: Live At Slugs'" reviewed by Joshua Weiner


How does one go about nominating Zev Feldman for a Nobel Peace Prize? Time and again, the intrepid “Jazz Detective" tracks down unknown, unheard, un-even-hoped-for sonic artifacts, painstakingly brushes away the audio dust and grime, and puts us front and center at events that rewrite the history of jazz. Forces of Nature: Live at Slugs' another ...

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Article: Album Review

The Jim Self-John Chiodini Duo: Feels So Good

Read "Feels So Good" reviewed by Jack Bowers


Tuba maestro Jim Self and gregarious guitarist John Chiodini unite for the fifth time on Feels So Good, a studio date whose title neatly encapsulates its upbeat vibe. Even though it seems at first blush that the tuba and guitar should be playing in different leagues, Self and Chiodini somehow make the odd mixture work. Self ...

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Article: Album Review

McCoy Tyner / Joe Henderson: Forces Of Nature: Live At Slugs'

Read "Forces Of Nature: Live At Slugs'" reviewed by Mike Jurkovic


When recordings like Forces of Nature: Live at Slugs' seemingly falls from yonder jazz sky, we must stop to thank those swinging stars above for our grand fortune. Because despite all our flaws--a broken politic, a poisoned planet, constant wartime bickering--we are a fortunate, if mostly undeserving, race of peculiarities. That becomes especially apparent when random, ...

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Article: Building a Jazz Library

Jazz on Soul, Pop, Rock, Folk, and other intangible territories - Part 2

Read "Jazz on Soul, Pop, Rock, Folk, and other intangible territories - Part 2" reviewed by Artur Moral


Part 1 | Part 2 James Carter soloing on a song by Sting? A prolific French guitarist and producer, approaching his thousandth album, deconstructing one of Billy Joel's most candid love songs? A Spanish trumpeter translating the Bee Gees into the jazz language? Yes, all this will happen in this second installment of a ...

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Article: Album Review

Bria Skonberg: What It Means

Read "What It Means" reviewed by Jerome Wilson


On her first album in five years, trumpeter Bria Skonberg returns with a new sense of maturity and purpose in her music. She continues her usual style of mixing traditional jazz and soulful vocals with classic jazz and rock motifs, but this outing feels more confident than previous albums. Two changes in her life probably contributed ...

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Article: Album Review

Mike Casey: Valencia

Read "Valencia" reviewed by Chris May


Saxophonist Mike Casey won a few hearts and minds among AAJ readers in 2017 with his Take Five profile, which we published round about the time of the self-release of his debut album, The Sound Of Surprise: Live At The Side Door. Refreshingly happy to express an opinion, Casey slammed jazz festivals for their short-term “band ...

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Article: Profile

Designing Jazz: The Iconic Album Covers of Reid Miles

Read "Designing Jazz: The Iconic Album Covers of Reid Miles" reviewed by Kristine England


Blue Note Records has embodied the best jazz has to offer for over 80 years. With a catalog of greats, from Horace Silver, Miles Davis, John Coltrane, Lee Morgan, Hank Mobley, Art Blakey, Herbie Hancock, Dexter Gordon and countless others from the bop and post-bop eras, to the funky recordings that hip-hop artists have repeatedly sampled, ...

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Article: Album Review

The Paul Carlon Quintet: Blues for Vita The Paul Carlon Quintet

Read "Blues for Vita  The Paul Carlon Quintet" reviewed by Nicholas F. Mondello


Blues for Vita provides listeners with an outstanding eight-selection presentation that is a modernized throwback to the days when tenor-trumpet quintets such as Art Blakey and the Jazz Messengers, Lee Morgan's, and Cannonball Adderley's ensembles were the mainstays of jazz labels such as Riverside, Columbia, and Blue Note. The album offers a well-produced mix of straight-ahead, ...


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This and That: November 2024
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