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Ornette Coleman
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Early on in his career, alto saxophonist Ornette Coleman, recorded an album entitled, The Shape of Jazz To Come. It might have seemed like an expression of youthful arrogance - Coleman was 29 at the time - but actually, the title was prophetic. Coleman is the creator of a concept of music called "harmolodic," a musical form which is equally applicable as a life philosophy. The richness of harmolodics derives from the unique interaction between the players. Breaking out of the prison bars of rigid meters and conventional harmonic or structural expectations, harmolodic musicians improvise equally together in what Coleman calls compositional improvisation, while always keeping deeply in tune with the flow, direction and needs of their fellow players. In this process, harmony becomes melody becomes harmony. Ornette describes it as "Removing the caste system from sound." On a broader level, harmolodics equates with the freedom to be as you please, as long as you listen to others and work with them to develop your own individual harmony.
Free Jazz to Ornette! Revisited
Label: Ezz-thetics
Released: 2024
Track listing: Free Jazz; W.R.U.; T. & T.: C. & D.: R.P.D.D.
Arild Andersen: Landloper
by Neil Duggan
The stark elegance of Arild Andersen's bass playing has been inspiring and entertaining audiences since the 1970s. He first gained prominence as a member of the Jan Garbarek Quartet, performing alongside Jon Christensen and Terje Rypdal, and was among ECM's first recording artists. Throughout his career he has performed and recorded with jazz luminaries including Sonny ...
Jim Self & John Chiodini: Back into the Future
by Doug Collette
The instrumental pairing of tuba master Jim Self and guitarist John Chiodini is an unlikely one to be sure, but the two veteran musicians have nurtured an equally uncommon chemistry. It is a musicianly dynamic so striking, in fact, that the two inspire not just each other, but the various other players to whom they extend ...
Alain Bedard Auguste Quartet: Particules Sonores
by Dan McClenaghan
The experience of bassist Alain Bedard's Partcules Sonores begins--for those who read liner notes--with a rumination on “sound waves that interact with every particle of matter they encounter. The energy created is transported and diffused, becoming sound particles." Hm. A bit cerebral for some tastes, perhaps. But then jazz guys are known to go ...
Duck Baker: Breakdown Lane: Free Solos & Duos 1976-1998
by Mark Corroto
This release is a great introduction to the music of Duck Baker and, maybe more importantly, a reminder of why the musician's sound is so vital. Baker, a finger-style acoustic guitarist, is a folk music omnivore. Besides Scottish and Irish fiddle music, he is at home with bebop, blues, free jazz and free improvisation. Let that ...
New Oscar Peterson And Charlie Parker Recordings And More
by Bob Osborne
Newly discovered recordings from Oscar Peterson and Charlie Parker kick off a show packed with new releases. We close the program with a track from a new box set celebrating the work of bassist Scott LaFaro. Playlist Show Intro 00:00 Oscar Peterson Quartet “Kelly's Blues" from City Lights The Oscar Peterson Quartet Live In ...
The Necks: Bleed
by Rob Garratt
There is a diverting theory that modernist developments in the visual arts were mirrored in the evolving language of jazz: the rigid melodies of classic swing analogous with the formal representation of realism; the harmonic blurring of modalism an impressionistic step towards ambiguity; and the breakdown of order that came with free jazz the divisive audio ...
Julian Lage At Empire Music Hall
by Ian Patterson
Julian Lage Empire Music Hall jny:Belfast, N. Ireland November 13, 2024 It is not too often that Julian Lage tours with nothing more than an acoustic guitar in tow. The solo acoustic album World's Fair (Modern Love, 2015) suggested at the time that the Californian might juggle solo performances ...
The Jim Self-John Chiodini Duo: Feels So Good
by Jack Bowers
Tuba maestro Jim Self and gregarious guitarist John Chiodini unite for the fifth time on Feels So Good, a studio date whose title neatly encapsulates its upbeat vibe. Even though it seems at first blush that the tuba and guitar should be playing in different leagues, Self and Chiodini somehow make the odd mixture work. Self ...
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