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Paul Bley
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"Since the Montreal-born, long-US resident Bley's 50's debut with Mingus and Blakey, he's worked with more first-rate, wide ranging original musical minds than anyone but Miles..." —Howard Mandel, Downbeat, April 1995 Bley gave violin recitals at age five. By age seven he was studying piano. He went through numerous classical teachers—including one Frenchman that had him play, balancing filled water glasses on the tops of his hands. At age 11 he graduated from the McGill Conservatory—having taken on their musical curriculum in addition to his public school education. Bley, who was known as "Buzzy" in his early adolescence, formed a band and played clubs and summer hotel jobs in the Laurentian Mountains at age 13. Four years later he replaced Oscar Peterson at the Alberta Lounge. Bley founded the Montreal Jazz Workshop and brought Charlie Parker, Sonny Rollins, Brew Moore and Alan Eager to Montreal inorder to perform with them. In 1950 Bley left for New York City. He studied at the Julliard School of Music from 1950-54. While at Julliard, Bley had a band with Jackie MacLean, Donald Byrd, Arthur Taylor, Doug Watkins. In this period he toured with Lester Young, Ben Webster, Roy Eldridge and Bill Harris. He was a frequent visitor at the famed Saturday night sessions at Lenny Tristano's studio. Bley served as president of the Associated Jazz Societies of New York in 1952, which led to Charlie Mingus hiring Bley to conduct his ensemble. Mingus also recorded Bley's debut album, along with himself and Art Blakey, on his label, Debut Records.
Marco Pennisi: la Red Records di oggi
by Libero Farnè
La foto riportata qui sopra, scattata da Curti Parini, è emblematica perché rappresenta il passato e il presente della Red Records, storica casa discografica milanese che dal 2021 ha ripreso quota, incrementando le sue mirate edizioni. Da sinistra possiamo distinguere Tommaso Belletti (digitale e promozione), Cem Cansu (store manager), l'attuale produttore e responsabile Marco Pennisi, Sergio ...
Ellie Lee, Jenny Scheinman, and Alden Hellmuth
by Jerome Wilson
This show features recent music from Ellie Lee, Jenny Scheinman, and Alden Hellmuth. It also contains a set of British jazz/blues artists such as Graham Bond and Blodwyn Pig. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 ...
Albert Ayler: Live Greenwich Village to Love Cry Revisited
by Giuseppe Segala
Nel 1996, quando fu pubblicata la prima edizione della sua biografia dedicata ad Albert Ayler, Spirits Rejoice!, il contrabbassista e musicologo tedesco Peter Niklas Wilson scriveva nella prefazione: “La sua musica resta controversa: per alcuni fu un profeta, per altri un ciarlatano. (...) Ayler resta oggi tanto controverso quanto esile è la base per una discussione ...
Elisabeth Harnik / Zlatko Kaučič: One Foot In The Air
by John Sharpe
Most jazz lovers will likely remember an occasion when the musicians played as if their lives depended on it to an almost empty room. Judging from the applause, the audience on 14 June 2022 at Kulturhalle Eggersdorf in Austria was not the biggest, but those present were lucky enough to witness a veritable feast of improvised ...
Florian Weber: Imaginary Cycle
by Alberto Bazzurro
Una musica molto composta--nella doppia accezione--suddivisa su quattro suites centrali più un prologo e un epilogo, è quanto ci giunge da questo nuovo lavoro, certamente ambizioso, del quarantasettenne pianista e compositore tedesco Florian Weber, già allievo di John Taylor a Colonia, Joanne Brackeen e Paul Bley a Boston, Richie Beirach e Lee Konitz a New York. ...
The Label Head: Nils Winther
by B.D. Lenz
Talk to anyone from around the jazz business and they'll all tell you the same thing, there is no shortage of it. There is plenty of great music being made by plenty of great musicians. In fact, the supply is probably outpacing the demand. And yet independent jazz labels are having a tough time. Do they ...
Keith Jarrett: The Old Country: More from the Deer Head Inn
by Mario Calvitti
Già da alcuni anni l'attività pianistica di Keith Jarrett si è forzatamente interrotta per motivi legati alle condizioni di salute dell'artista, colpito da ictus, ma la sua musica continua a venire pubblicata con novità discografiche provenienti dagli archivi ECM, alternando le esecuzioni jazzistiche a quelle classiche con cadenza più o meno annuale. Questo nuovo album rappresenta ...
Thelonius Garcia: Marche Nocturne
by Dan McClenaghan
The first name Thelonious--does it come from the word theology? Is a parent giving a newborn a form of divinity with the appellation? This is speculation; the answer is up in the air, but the most famous Thelonious is Thelonious Sphere Monk, one of the brightest of jazz stars to emerge in the age of bebop. ...
Keith Jarrett: The Old Country: More from the Deer Head Inn
by Jack Kenny
Keith Jarrett remarked as he listened to a tape of the session: “I think that you can hear on this tape, what jazz is all about." What did he mean? Was he reacting to criticisms of his long-form improvisations? Was it because he was in a small venue that prioritized jazz? Of course, you ...
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