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Musician

Red Mitchell

Born:

Keith Moore Mitchell, better known as Red Mitchell, was an American jazz double-bassist, composer, lyricist, and poet. Red was raised in New Jersey by a father who was an engineer and loved music, and a mother who loved poetry. His first instruments were piano, alto saxophone, and clarinet. Although Cornell University awarded an engineering scholarship to Mitchell, by 1947 he was in the US Army playing bass. The next year he was in a jazz trio in New York City. Mitchell became known for performing and/or recording with Mundell Lowe, Chubby Jackson, Charlie Ventura, Woody Herman, Red Norvo, Gerry Mulligan, and, after joining the West Coast jazz scene in the early 1950s, with Andre Previn, Shelly Manne, Hampton Hawes, Billie Holiday, Ornette Coleman, and others

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Article: Chats with Cats

The Label Head: Nils Winther

Read "The Label Head: Nils Winther" reviewed by B.D. Lenz


Talk to anyone from around the jazz business and they'll all tell you the same thing, there is no shortage of it. There is plenty of great music being made by plenty of great musicians. In fact, the supply is probably outpacing the demand. And yet independent jazz labels are having a tough time. Do they ...

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Article: Album Review

Shelly Manne & His Men: Jazz From The Pacific Northwest

Read "Jazz From The Pacific Northwest" reviewed by Pierre Giroux


Shelly Manne & His Men are presented in two iterations in never-before-released live recordings from the 1958 Monterey Jazz Festival and from a 1966 date at The Penthouse in Seattle entitled Jazz From The Pacific Northwest. In this deluxe limited edition 180-gram 2LP set, co-produced for release by the estimable Zev Feldman and Cory Weeds, the ...

Album

West Side Story

Label: Craft Recordings
Released: 2023
Track listing: Something's Coming; Jet Song; Tonight; I Feel Pretty; Gee, Officer Krupke; Cool; Maria; America.

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Article: First Time I Saw

Jimmy Rowles

Read "Jimmy Rowles" reviewed by Carol Sloane


Part 1 I had just finished my night's work at a long-since vanished jazz club in Greenwich Village called Hopper's. I was singing with The New York Jazz Quartet: Sir Roland Hanna, George Mraz, Richie Pratt, and Frank Wess. The year was 1977. Mraz said he was going to walk over to Bradley's* to listen to ...

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Article: Album Review

Andre Previn and his pals Shelly Manne & Red Mitchell: West Side Story

Read "West Side Story" reviewed by Richard J Salvucci


André Previn was always something of a mystery to jazz critics and listeners. By common consent, he had astonishing instrumental technique. On the other hand, a lot of listeners were sure they could hear everyone but Previn in his playing. Along with Shelly Manne, he sold a lot of records and probably made a good deal ...

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Article: Album Review

Mary Stallings: Songs Were Made to Sing

Read "Songs Were Made to Sing" reviewed by Dave Linn


One of eleven children, Mary Stallings was born in San Francisco in 1939. In her teens, she began singing in San Francisco night clubs and performed with Ben Webster, Earl Hines, Red Mitchell, Teddy Edwards, and Wes Montgomery. Before graduating from high school, she joined R&B singer Louis Jordan's Tympani Five. In the early '60s, she ...

Album

Genesis of Genius: The Contemporary Albums

Label: Contemporary Records
Released: 2022
Track listing: LP1 Something Else!!!!: Invisible; The Blessing; Jayne; Chippie; The Disguise; Angel Voice; Alpha; When Will The Blues Leave?; The Sphinx.

LP2 Tomorrow Is the Question!: Tomorrow Is The Question!; Tears Inside; Mind And Time; Compassion; Giggin'; Rejoicing; Lorraine; Turnaround; Endless.

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Article: Multiple Reviews

Contemporary Records 70th: Barney Kessel and Hampton Hawes on vinyl

Read "Contemporary Records 70th: Barney Kessel and Hampton Hawes on vinyl" reviewed by C. Andrew Hovan


Almost a century ago, times were different and folks with the gumption to forge their own paths were more likely to make a mark on history. When you think of the documentation of jazz, names like John Hammond, Francis Wolff, and Ahmet Ertegun were integral to spreading the word of America's unique art form. Far less ...

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Article: Album Review

Ornette Coleman: Genesis of Genius: The Contemporary Albums

Read "Genesis of Genius: The Contemporary Albums" reviewed by Jeff Kaliss


For many an Ornette Coleman devotee, devotion was pledged with the singular saxophonist's The Shape of Jazz to Come (Atlantic). It was recorded in May and released in November of 1959, and it's a matter of when in our life we caught up with it. For some of us, that's when we first felt liberated by ...


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Publisher's Desk
This and That: November 2024
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