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About Rudresh Mahanthappa
Instrument: Saxophone, alto
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Rudresh Mahanthappa
Born:
Hailed by Pitchfork as “jaw-dropping… one of the finest saxophonists going,” alto saxophonist, composer and educator Rudresh Mahanthappa is widely known as one of the premier voices in jazz of the 21st century. He has over a dozen albums to his credit, including the acclaimed Bird Calls, which topped many critics’ best-of-year lists for 2015 and was hailed by PopMatters as “complex, rhythmically vital, free in spirit while still criss-crossed with mutating structures.” His most recent release, Hero Trio, was considered to be one of the best jazz albums of 2020 by critics and fans alike. Rudresh has been named alto saxophonist of the year for nine of the last eleven years running in Downbeat Magazine’s International Critics’ Polls (2011-2013, 2015-2018, 2020-1), and for five consecutive years by the Jazz Journalists’ Association (2009-2013) and again in 2016. He won alto saxophonist of the year in the 2015-2018 & 2020 JazzTimes Magazine Critics’ Polls and was named the Village Voice’s "Best Jazz Artist" in 2015. He has also received the Guggenheim Fellowship and the Doris Duke Performing Artist Award, among other honors, and is currently the Anthony H. P. Lee ’79 Director of Jazz at Princeton University.
Found in Space: The Music of Gregg Hill
Label: Origin Records
Released: 2024
Track listing: The Last Pop Tune; Found in Space; One for Rodney; The Stray Moonduck; The Puppet Thief; Rue De Royal;
Chillin With Wess; Anthem; Nostalgia; A Wrinkle in Time.
Kraków Jazz Week: Seifert Competition & Jazz Juniors
by Martin Longley
Kraków Jazz Week Cricoteka/Hevre Kraków, Poland September 26th-October 3rd 2024 This was the second Kraków Jazz Week, but there is a much deeper history unearthed when studying the roots of this new event. Fundamentally, it involves the amalgamation of two long-running festivals: the Seifert Competition and Jazz ...
Belgrade Jazz Festival 2024
by Thomas Conrad
Belgrade Jazz Festival 2024 Dom Omladine Beograda, MTS Dvorana Belgrade, Serbia October 24-28, 2024 It is possible that, of all the major cities of Europe, the least understood in the Western world is jny: Belgrade, Serbia. In the 1990's, when the wars in the former Yugoslavia were raging, Serbia was a ...
Ganavya, Alice Coltrane, CTI Summer Jazz
by David Brown
This week, we jump to the summer of 1972 for selections from a live show at the Hollywood Bowl in California captured on a trio of LPs titled CTI Summer Jazz. The set features some of the greatest jazz funk players of the early 70s all on one stage. Then, our shows featured artist will be ...
Ritratto di Adam O'Farrill
by Angelo Leonardi
Il trentesimo compleanno del trombettista Adam O'Farrill coincide con la pubblicazione di HUESO, il suo settimo album da leader/co-leader prodotto in una carriera singolarmente lunga e prestigiosa. Il primo importante riconoscimento pubblico gli giunge all'età di 21 anni nel 2015, con la vittoria di Bird Calls al critics poll di Down Beat, un album ...
The Last Pop Tune
Album: Found in Space: The Music of Gregg Hill
By Michael Dease
Label: Origin Records
Released: 2024
Duration: 07:37
Michael Dease: Found in Space - The Music of Gregg Hill
by Bill Milkowski
The title itself is revealing. A clever play on words of the old '60s sci-fi show Lost in Space, it immediately suggests an irreverent wit and slightly twisted perspective; qualities that also permeate the unique music of prolific Michigan-based composer Gregg Hill. How this fairly obscure presence on the national music scene has managed ...
Rudy Royston: DAY
by Vic Albani
Rudy Royston, batterista di prima classe (Bill Frisell, Dave Douglas, JD Allen, Ben Allison, Rudresh Mahanthappa e molti altri), approda con Day alla sua quinta uscita per l'etichetta del signor Dave Douglas, Greenleaf. Day è la seconda uscita dei Flatbed Buggy, vale a dire dell'avventuroso combo creato dal batterista con l'aiuto delle bass lines di Joe ...
Dan Weiss: Even Odds
by Mike Jurkovic
To say that “It Is What It Is"--regarding drummer/composer Dan Weiss's feverish first track on the fervently episodic Even Odds--misses the whole point entirely. It could be anything. And within its spacious yet oddly claustrophobic three-and-a-half minutes, evolutions come and go in real time. And real time is a bitch if you cannot keep up.
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