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Musician

Sonny Rollins

Born:

It’s no state secret that Sonny Rollins has never been fond of the recording studio. Never mind that he’s recorded his full share of gems there—not only early, celebrated albums such as Saxophone Colossus and Way Out West, but also digital-era efforts such as Old Flames and This Is What I Do. The man often embraced as the greatest living improviser requires too much creative freedom to start playing, as he puts it, “when the red light comes on.” And his perfectionism makes it difficult, sometimes painfully so, to go through multiple takes in search of what he thinks is the least flawed one.

Album

Freedom Weaver: The 1959 European Tour Recordings

Label: Resonance Records
Released: 2024
Track listing: St. Thomas; There Will Never Be Another You; Stay As Sweet As You Are; I've Told Ev'ry Little Star; How High The Moon; Oleo; Paul's Pal; Sonny Rollins Interview; It Don't Mean a Thing; Paul's Pal #2; Love Letters; I Remember You; I've Told Ev'ry Little Star #2; It Could Happen to You; Oleo #2; Will You Still Be Mine; I've Told Ev'ry Little Star #3; I Want to Be Happy; A Weaver of Dreams; It Don't Mean a Thing #2; Cocktails for Two; I've Told Ev'ry Little Star #4; I Want to Be Happy #2; Woody 'N' You; But Not For Me; Lady Bird.

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Article: Album Review

Arild Andersen: Landloper

Read "Landloper" reviewed by Neil Duggan


The stark elegance of Arild Andersen's bass playing has been inspiring and entertaining audiences since the 1970s. He first gained prominence as a member of the Jan Garbarek Quartet, performing alongside Jon Christensen and Terje Rypdal, and was among ECM's first recording artists. Throughout his career he has performed and recorded with jazz luminaries including Sonny ...

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Article: Radio & Podcasts

Ellie Lee, Jenny Scheinman, and Alden Hellmuth

Read "Ellie Lee, Jenny Scheinman, and Alden Hellmuth" reviewed by Jerome Wilson


This show features recent music from Ellie Lee, Jenny Scheinman, and Alden Hellmuth. It also contains a set of British jazz/blues artists such as Graham Bond and Blodwyn Pig. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 ...

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Article: Catching Up With

Collin Sherman: A Solitary Visionary in Jazz

Read "Collin Sherman: A Solitary Visionary in Jazz" reviewed by Robert Middleton


Collin Sherman is an outlier in the jazz world. He creates all his own music, plays every instrument, records everything himself, and rarely performs live. His approach is unconventional but deeply compelling, allowing him to produce music that defies easy categorization. In a conversation via Zoom, Sherman opened up about his journey, his creative process and ...

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Article: Chats with Cats

The Label Head: Nils Winther

Read "The Label Head: Nils Winther" reviewed by B.D. Lenz


Talk to anyone from around the jazz business and they'll all tell you the same thing, there is no shortage of it. There is plenty of great music being made by plenty of great musicians. In fact, the supply is probably outpacing the demand. And yet independent jazz labels are having a tough time. Do they ...

Article: Live Review

Bill Frisell Four al Naima Jazz Club di Forlì

Read "Bill Frisell Four al Naima Jazz Club di Forlì" reviewed by Maurizio Comandini


Bill Frisell Four Naima Jazz Club Forlì 31 ottobre 2024 Bill Frisell al Naima Jazz Club di Forlì è una bella conferma di come il jazz di respiro internazionale sappia trovare percorsi e situazioni anche al di fuori delle grandi città. Il chitarrista americano, 73 anni ben portati, è in tour ...

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Article: Extended Analysis

The Duke Ellington Carnegie Hall Concerts: January 1943

Read "The Duke Ellington Carnegie Hall Concerts: January 1943" reviewed by Chuck Lenatti


Duke Ellington was one of the most popular and successful jazz musicians of the first half of the 20th century and according to composer Gunther Schuller and musicologist and historian Barry Kernfeld, “the most significant composer of the genre." Radio broadcasts from his residency at New York's Cotton Club beginning in 1927 extended Ellington's ...

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Article: Play This!

Remembering Roy Haynes: Modern Jazz Giant

Read "Remembering Roy Haynes: Modern Jazz Giant" reviewed by Ian Patterson


When Roy Haynes sat down at the tiny kit on the stage of the Everyman Theatre, during the Guinness Cork Jazz Festival in 2005, he shook his head ruefully and said, “Man, I feel like a midget!" Rising above the audience laughter, somewhere in the depths of the theatre, a voice replied, “Roy, you're a giant!" ...

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Article: Interview

Roy Haynes: Still Lighting It Up

Read "Roy Haynes: Still Lighting It Up" reviewed by Chris M. Slawecki


This article was first published on All About Jazz in June 1997. Drummer Roy Haynes isn't just cool--he's cooooolllll. In conversation, Roy Haynes is languid and relaxed yet full of fire, yet playful, mysterious and serious. Similarly, his music--and he's played alongside the best--is simultaneously passionate and precise, free-swinging and loose, but ...


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Publisher's Desk
This and That: November 2024
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