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Terje Rypdal
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Norwegian guitarist and composer Terje Rypdal, tone poet of the Fender Stratocaster, was born in Oslo in 1947. The son of a military conductor and clarinettist, Rypdal began piano lessons aged five and took up the trumpet three years later. When he was twelve he began teaching himself the guitar. While still in his teens, he became a member of the Vanguards, a Norwegian instrumental rock group that climbed the local pop charts, and then, after hearing Jimi Hendrix, he formed a psychedelic rock band, Dream, in 1967. But Rypdal’s influences have always been eclectic: he was drawn to the music of Ligeti and Penderecki as well as Coltrane and Miles Davis. He recalled in an interview with Notes on the Road: "I heard Ligeti's music and I decided then to try to make a living as a composer and guitar player." Michael Tucker has described “Rypdal's blending of rock and jazz phrasing with a rubato concern for tone colour and dynamics often redolent of the classical world”.
Arild Andersen: Landloper
by Neil Duggan
The stark elegance of Arild Andersen's bass playing has been inspiring and entertaining audiences since the 1970s. He first gained prominence as a member of the Jan Garbarek Quartet, performing alongside Jon Christensen and Terje Rypdal, and was among ECM's first recording artists. Throughout his career he has performed and recorded with jazz luminaries including Sonny ...
Brad Shepik, Elsa Nilsson, Layale Chaker, Elephant9, Terje Rypdal
by Ludovico Granvassu
The love of nature is at the heart of the three albums by Elsa Nilsson, Brad Shepik and Layale Chaker that open today's set, which is then wrapped-up by the slow but unstoppable crescendo of Norwegian prog icons, Elephant9 and their very special guest, Terje Rypdal. Happy listening! Playlist Ben Allison ...
String Players: Sonny Sharrock to Charles Mingus
by Jerome Wilson
This show. from September 15, 2020, focuses on string players, mostly guitarists but bassists, cellists and a harp player are also thrown into the mix. Specific musicians heard include Sonny Sharrock. Lonnie Johnson. Tomeka Reid, Charles Mingus, and Brandee Younger. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete ...
Saxophone Meets Guitar: The Dynamic Duo of Jazz
by Robert Middleton
Imagine a smoky jazz club where the deep, soulful wail of a saxophone weaves effortlessly with the nimble, melodic lines of a guitar. This rare instrumental combination is a hidden gem in the world of jazz that deserves more attention. Jazz is not just a genre--it is a universe with galaxies of swing, bebop, ...
Brilliant ECM Luminessence Series Shines New Light On Classic Vinyl
by Joshua Weiner
Blue Note. Verve. Impulse! ESP-Disk. Just saying the name of such storied jazz record labels immediately conjures up each one's distinct aesthetic, from the music to the cover art. By the close of the 1960s, jazz was undergoing a period of intense change, with an unprecedented mixing and matching of styles and influences--both musical and political--that ...
Julieta Eugenio, Lynne Arriale and Teddy Edwards
by Jerome Wilson
This show features current releases by musicians such as Julieta Eugenio, Lynne Arriale, and Owen Broder as well as older sounds from Teddy Edwards, Lisa Sokolov, and Carlos Santana. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 ...
Jan Garbarek, Keith Jarrett and Azimuth light up ECM Luminessence reissues
by Chris May
The spring 2024 iteration of ECM's audiophile vinyl reissue series, Luminessence, presents another trio of landmark albums: Jan Garbarek Quartet's Afric Pepperbird, from 1971, Keith Jarrett and Garbarek's Luminessence, from 1975, and Azimuth's Azimuth, from 1977. The combined scope of the music on the three discs (which come with new liner notes) is prairie wide, and ...
John Surman: Words Unspoken
by Joshua Weiner
Englishman John Surman has been one of jazz's most important reedmen since his debut album on the progressive Deram label in 1969. From the start, on classic albums such as John McLaughlin's Extrapolation, Surman displayed a unique voice on the baritone sax, soprano sax, and bass clarinet, sometimes adding electronics to the mix. Since his first ...
John Surman: Words Unspoken
by Mike Jurkovic
Hypnotic and many of its antonyms--stimulating, arousing, reviving--are old school hyperbole which very often separates the hack from the veteran of critical science. But sometimes those everyday words are exactly what need to be said to tell of music unlike everyday and most others. Words Unspoken is just that. Blowing free and unhindered since ...
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