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Malachi Favors
Malachi Favors was the mainstay bassist in a remarkable group that combined traditional elements of jazz and blues, West African music, chanting, ritual, abstract sound and silence. The Art Ensemble of Chicago was one of the landmark groups of experimental jazz. But with all its theatricality the rudiments were not slighted. Favors, a concise, direct and eloquent player, formed a boldly swinging rhythm section with the drummer Don Moye. Favors sometimes added Maghostut to his name, which his daughter said was an Egyptian word meaning ''I am the host.'' Favors was born on August 22, 1927, in Lexington, Mississippi, Moved to Chicago and served in the Army during the Korean War, and then, back in Chicago in the late 1950's, he studied with the bassists Wilbur Ware and Israel Crosby, and worked with the pianists Andrew Hill and King Fleming. He briefly attended what was then Wilson Junior College, where the saxophonist Roscoe Mitchell was a fellow student. By the mid-60's Favors and Mr. Mitchell moved into the circle of the pianist Muhal Richard Abrams, whose Experimental Band provided the initial spark for the Association for the Advancement of Creative Musicians (or A.A.C.M.), an influential cooperative society in jazz. At first the Art Ensemble of Chicago was Mr. Mitchell's own group, and it also included Favors, Moye, the trumpeter Lester Bowie and the saxophonist Joseph Jarman. While in France during a European trip in 1969 they were first billed as the Art Ensemble of Chicago. The group stayed in Europe until 1971, quickly establishing itself as one of the more innovative new jazz ensembles and recording more than a dozen albums. By 1972 the ensemble was recording for Atlantic Records, which raised its profile considerably. By 1978 the group switched to ECM Records, and later recorded for the Japanese label DIW. Lester Bowie died in 1999, and the group's last recording, as a quartet without Mr. Bowie, was ''The Meeting'' (Pi Records). Malachi Favors died in Chicago on Jan. 30, 2004, he was 76.
Source: Ben RatliffTags
Archie Shepp: Blase And Yasmina Revisited
by Chris May
The three albums tenor saxophonist Archie Shepp recorded in Paris for BYG Records during one week in August 1969 tend to get overlooked in the slipstream of the dozen or so he made in the US for Impulse earlier in the decade. More is the pity, for as Blasé And Yasmina Revisited so resoundingly attests, the BYGs contain some of the most audacious, many splendored and deep roots music that Shepp has recorded in his still-kicking career (at the time ...
Continue ReadingJazz Musician of the Day: Malachi Favors
Source:
Michael Ricci
All About Jazz is celebrating Malachi Favors' birthday today!
Malachi Favors- acoustic bass Malachi Favors was the mainstay bassist in a remarkable group that combined traditional elements of jazz and blues, West African music, chanting, ritual, abstract sound and silence. The Art Ensemble of Chicago was one of the landmark groups of experimental jazz. But with all its theatricality the rudiments were not slighted. Favors, a concise, direct and eloquent player, formed a boldly swinging rhythm section with the drummer ...
read more
Jazz Musician of the Day: Malachi Favors
Source:
Michael Ricci
All About Jazz is celebrating Malachi Favors' birthday today! Malachi Favors was the mainstay bassist in a remarkable group that combined traditional elements of jazz and blues, West African music, chanting, ritual, abstract sound and silence. The Art Ensemble of Chicago was one of the landmark groups of experimental jazz. But with all its theatricality the rudiments were not slighted. Favors, a concise, direct and eloquent player, formed a boldly swinging rhythm section with the drummer Don Moye. Favors sometimes ...
read more
Jazz Musician of the Day: Malachi Favors
Source:
Michael Ricci
All About Jazz is celebrating Malachi Favors' birthday today!
Malachi Favors- acoustic bass Malachi Favors was the mainstay bassist in a remarkable group that combined traditional elements of jazz and blues, West African music, chanting, ritual, abstract sound and silence. The Art Ensemble of Chicago was one of the landmark groups of experimental jazz. But with all its theatricality the rudiments were not slighted. Favors, a concise, direct and eloquent player, formed a boldly swinging rhythm section with the drummer ...
read more
Jazz Musician of the Day: Malachi Favors
Source:
Michael Ricci
All About Jazz is celebrating Malachi Favors' birthday today!
Malachi Favors- acoustic bass Malachi Favors was the mainstay bassist in a remarkable group that combined traditional elements of jazz and blues, West African music, chanting, ritual, abstract sound and silence. The Art Ensemble of Chicago was one of the landmark groups of experimental jazz. But with all its theatricality the rudiments were not slighted. Favors, a concise, direct and eloquent player... Read more.
Place our Musician of the Day widget ...
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Jazz Musician of the Day: Malachi Favors
Source:
Michael Ricci
All About Jazz is celebrating Malachi Favors' birthday today!
Malachi Favors- acoustic bass Malachi Favors was the mainstay bassist in a remarkable group that combined traditional elements of jazz and blues, West African music, chanting, ritual, abstract sound and silence. The Art Ensemble of Chicago was one of the landmark groups of experimental jazz. But with all its theatricality the rudiments were not slighted. Favors, a concise, direct and eloquent player... Read more.
Place our Musician of the Day widget ...
read more
Jazz Musician of the Day: Malachi Favors
Source:
Michael Ricci
All About Jazz is celebrating Malachi Favors' birthday today!
Malachi Favors- acoustic bass Malachi Favors was the mainstay bassist in a remarkable group that combined traditional elements of jazz and blues, West African music, chanting, ritual, abstract sound and silence. The Art Ensemble of Chicago was one of the landmark groups of experimental jazz. But with all its theatricality the rudiments were not slighted. Favors, a concise, direct and eloquent player... Read more.
Place our Musician of the Day widget ...
read more
Jazz Musician of the Day: Malachi Favors
Source:
Michael Ricci
All About Jazz is celebrating Malachi Favors' birthday today!
Malachi Favors- acoustic bass Malachi Favors was the mainstay bassist in a remarkable group that combined traditional elements of jazz and blues, West African music, chanting, ritual, abstract sound and silence. The Art Ensemble of Chicago was one of the landmark groups of experimental jazz. But with all its theatricality the rudiments were not slighted. Favors, a concise, direct and eloquent player... Read more.
Place our Musician of the Day widget ...
read more
Jazz Musician of the Day: Malachi Favors
Source:
Michael Ricci
All About Jazz is celebrating Malachi Favors' birthday today! Malachi Favors - acoustic bass Malachi Favors was the mainstay bassist in a remarkable group that combined traditional elements of jazz and blues, West African music, chanting, ritual, abstract sound and silence. The Art Ensemble of Chicago was one of the landmark groups of experimental jazz. But with all its theatricality the rudiments were not slighted. Favors, a concise, direct and eloquent player... Read more. Place our Musician of the Day ...
read more
Jazz Musician of the Day: Malachi Favors
Source:
Michael Ricci
All About Jazz is celebrating Malachi Favors' birthday today!
Malachi Favors - acoustic bass Malachi Favors was the mainstay bassist in a remarkable group that combined traditional elements of jazz and blues, West African music, chanting, ritual, abstract sound and silence. The Art Ensemble of Chicago was one of the landmark groups of experimental jazz. But with all its theatricality the rudiments were not slighted. Favors, a concise, direct and eloquent player... Read more.
Place our Musician of the Day ...
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Malachi Favors: Bassist with Art Ensemble of Chicago
Source:
All About Jazz
Malachi Favors (Maghostus), bass Born: August 22, 1927 in Chicago, IL Died: February 2, 2004
One of the most respectably talented bassists in free jazz, Favors is renowned mostly for his membership in the Art Ensemble of Chicago for nearly forty years. A powerful swinger and excellent soloist, Favors tended to subsume himself beneath his bandmates, occasionally writing or stepping to the fore.
Favors took up the bass at fifteen and studied with Wilbur Ware and ...
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